12.22.15

Sighted

The Color Palette of This Stockholm Interior Is Just. So. Right.

This 2,000 square-foot apartment renovation in Stockholm by Note Design Studio — which we spotted on Yatzer yesterday — features sloped double-height ceilings, skylights, sleek built-in storage, and harmonic geometries at every turn. But for us, it's really all about one thing: the drop-dead gorgeous color palette.

08.06.15

Sighted

A Furniture Collection Inspired By Pick-Up Sticks

We gave you a sneak peek of Fredrik Paulsen’s solo exhibition at Paris’s Galerie Torri earlier this summer, but when we saw the Stockholm-based designer had properly photographed the whole collection, we wanted to share the results. Called Mikado — a name we assume originates from the European form of pick-up sticks — the chairs are made from simple pieces of pine that Paulsen stains a brilliant teal blue.

02.27.15

Sighted

Tekla Evelina Severin on the Urban Outfitters Blog

At last year's Milan Furniture Fair, we had an extremely rare — but kind of major — fangirl moment. It wasn't in response to some big-name Bouroullec-type designer with an installation around town or even Anna Della Russo, who you sometimes see flitting from party to party. It was a Swedish interior architect and photographer named Tekla Evelina Severin — better known on Instagram as Teklan — who we met on a lazy afternoon while exploring Venture Lambrate. Severin has hands down one of the most beautiful Instagrams around, so we were insanely excited to meet her, and even happier when this beauty of a story popped up on Urban Outfitters' blog earlier this month.

01.30.15

Excerpt: Exhibition

Örnsbergsauktionen 2015

Exhibition curators often face a funny dilemma: The more successful they become, the more great people start clamoring be involved in their projects, which ultimately only makes their selection process that much harder. Hence why the minds behind the Swedish design auction Örnsbergsauktionen — which for the past four years has consistently been pretty much the most amazing thing coming out of Stockholm Design Week — decided to tighten the curatorial reins this year, not only requiring that their 30 participants be designers who self-produce their own work in small batches but also leaning heavily towards the ones who work collectively or invent their own materials and processes. Once they managed to narrow their list down to the lucky few, which this year includes folks like Maria Jeglinska and Jenny Nordberg — plus of course founders Simon Klenell, Fredrik Paulsen, and Kristoffer Sundin themselves — they let the magic flow, resulting in the 40 objects that will head to the auction block on February 6. As usual, we've excerpted our favorites after the jump.

01.07.15

Up and Coming

Oyyo, Swedish Textile Designers

Lina Zedig and Marcus Åhrén, of the Stockholm-based studio Oyyo, take a best-of-both-worlds approach to their work. If Zedig is the self-described perfectionist who obsesses over color and composition, Åhrén is the “action person, always keen to get new projects going and thinking that everything is possible.” For their first collection, which launched in 2013, they employed age-old techniques to craft flat-weave dhurries, but imbued the familiar form with unexpected geometric and architectural patterns. And while their carpets — in combinations of pastel pinks, yellows, and oranges, deep blues, greens, and black — have a cozy, at-home feel, they also reflect the restless, roving spirit in which Åhrén and Zedig, avid travelers, created them. It’s design for settling in, not settling down.

07.09.14

Studio Visit

David Taylor in Hälleförsnäs, Sweden

Every summer, the Stockholm-based, Scottish-born designer David Taylor retreats to his family's cottage in the Swedish countryside for a spell and spends his days foraging in the woods. It isn't greens and mushrooms he's after, though, but slag — the decidedly un-edible clumps of waste compounds left behind in the production of metal. Taylor's cottage happens to be in a town called Hälleförsnäs, also home to an iron foundry that was built in the 1600s and shut down for good in 2006. "Slag can still be found just about everywhere around here," Taylor says. "It’s a worthless by-product that was produced in huge quantities and mostly just dumped out of sight in the forest for centuries." For a recent project that debuted during the Saatchi Gallery's Collect fair in May, Taylor gathered up chunks of the stuff and upcycled them into a series of colorful candlesticks.

02.27.14

Sighted

Last, a New Swedish Design Trio

No pun intended, but we had to share one last find from this month’s Stockholm Design Week: Last, a new arena for selling one-of-a-kind products by Swedish design trio Åsa Jungnelius, Gustaf Nordenskiöld, and Fredrik Paulsen. They are, respectively, a glass designer working with glass, a potter with clay and a furniture designer with wood. All share a common desire for not only producing sustainable products, but also to promote a kind of design that is slower, more considered, and intended to stand the test of time (i.e. the last spoon you might ever buy).

02.17.14

Fair Report

At Stockholm Design Week 2014

When Katrin Greiling offered to report on Stockholm Design Week for us this year, it felt like the holy trinity of guest fair coverage: a designer with an amazing eye, who also happened to be a talented photographer, who wasn't too occupied exhibiting her own work this year to make the rounds on our behalf. Turns out she's been busy with other projects, 700 miles away from her former home base: "After living in Sweden for 15 years, I recently made a move to Berlin to work on two interior projects," Greiling says. "Still, though, my heart is strongly connected to the aesthetics of the North, and a year without going to the furniture fair in Stockholm would be unthinkable for me. Studio Greiling didn't show any work at the 2014 fair, but we still enjoyed meeting up with all the members of our huge Nordic furniture family. Here's a glimpse at what I saw during the four days I spent in Stockholm."

02.08.14

Saturday Selects

Week of February 3, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was all about color: a neon acrylic and marble sandwich, an ombre basalt table, dip-dyed carpets, and more. PLUS: Design fair season marches on, moving from Paris to Stockholm, where we found the cutely graphic marble, steel and aluminum hanger system above.

09.11.13

The Making of

Nick Ross’s Objects of Ambiquity Series

In the fictional narrative behind his Objects of Ambiquity series, Nick Ross is a designer from the future who's been hired by a history museum called The Institution to work as an "object mediator," delving into the origins and possible uses of any mysterious artifacts the rest of the staff can't identify. When he presented the project at the Konstfack graduate thesis show earlier this year — including his White Lies table (pictured above), A Mirror Darkly, and Baltic Gold shelves — he staged the presentation as if it were a snapshot from The Institution itself, his pieces being among the targets of his imagined discovery process. "The story of Objects of Ambiquity is a vessel used to highlight the role of fiction within historical records," says Ross. "While doing this, it simultaneously questions the designer’s possible future role within this context and how this will alter our understanding of what a museum is."

03.19.13

8 Things

Katrin Greiling, designer and photographer

Katrin Greiling’s work as a designer has taken her to the deserts of the UAE and further east still to the jungles of Indonesia. The Munich native’s designs often have Nordic bones, but they’re made by hand in small workshops thousands of miles away. Her work as a photographer — an intended hobby that has morphed into a career — is also in high demand. But what makes the mind of this multi-disciplinary, globetrotting creative tick?

03.13.13

Sighted

New Work by David Taylor

In case you hadn’t noticed, the big trend in these leaner, post–economic disaster days, has been to elevate the lowest of low-grade materials into something elegant by design. OSB, polystyrene, plywood, plastic, MDF, resin — the list is endless. But you’d be hard pressed to think of a designer who does the opposite, who purposefully debases the precious commodity he’s been trained to craft to perfection. And yet what other choice did David Taylor have? After graduating from Konstfack in 1999, the Stockholm-based silversmith began to see the price of his raw materials soar: “Silver simply became too expensive for me to work with,” he says. “Without the benefit of a commission, working on spec becomes impossible when silver has quadrupled in price over the last eight years.” But Taylor’s loss was our gain: The designer began dabbling a few years ago in what he calls “a cheaper neighborhood,” making object assemblages by grafting more inexpensive materials like concrete, brass, and steel onto smaller silver pieces.