I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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Material Intrigue and Rich Details Unite These Three Standout Collections From New York’s Design Festivities

Over-the-top and outrageous has a place in our hearts, but we need to be in the mood for it. What always seems to hit right is design that combines a certain restraint with sumptuous details: material richness, attention to composition, elegance of form. Three of the best collections we saw at New York Design Week — from Sunfish, Nicholas Obeid, and Gregory Beson — do just that: Not too much, but still refreshing and surprising; a little asymmetry, an unusual but just-right choice, or a wow-inducing flourish.
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