With Its Designer Collective, CB2 is Bringing a Global Design Perspective to the Masses

Big-box furniture stores doing high-profile collabs has long been one of the surest bets for those who yearn for a collection of beautiful things by internationally renowned designers — but who can't necessarily afford the luxury price tags that typically accompany such items. CB2 has long been at the top of our list when it comes to products with a point of view, hand-picking many designers we know and love — from Kara Mann to Luam Melake to Studio Anansi and Farrah Sit — to offer collections at accessible price points, bringing the designers' varied global design perspectives within reach of a much broader audience. Now, CB2 has introduced its 2024 Designer Collective, a showcase of nearly two dozen designers and independent studios, through whom the brand is able to introduce multiple design styles from around the world— giving design fans more options to find pieces that align with their aesthetic and creating a variety in perspectives that enables the range as a whole to feel fresh and current. We spoke to three members of the Designer Collective — interior designer Kara Mann, lighting designer Farrah Sit, and the Barcelona-based Mermelada Estudio — about what this collaboration means to their practice, and how their individual approaches to design each bring something unique to the brand. 
More

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
More