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03.03.25

Excerpt: Exhibition

In a London Gallery, Grace Prince Explores the Appeal of Fragments and Fragility

How do you hold absence? How do you embody something that's missing, or give shape and weight to a fleeting phantom? The six limited-edition pieces in Grace Prince’s new furniture collection — called Held Absence and made exclusively for London's Béton Brut gallery, where it's currently on view — all explore this paradox. The themes of absence and fragility that color this collection invoke their seeming opposites, presence and strength, while also raising the question: Are they so opposite after all?
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06.23.26

The Weekly

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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