10.11.12

Sighted

Kiosk’s Obama 2012 Souvenirs

In 1960, there was a noisemaker that said “Click with Dick,” endorsing Richard Nixon for President. In 1964, a canned novelty beverage promoted Barry Goldwater's candidacy (“Gold Water: The Right Drink for the Conservative Taste”). But these days, with Shepard Fairey’s once-inescapable "Hope" poster on the wane, you’d be hard-pressed to find an election souvenir of note beyond the usual bumper stickers, commemorative mugs, and buttons. Enter Kiosk, New York’s go-to retailer for quirky housewares and objects from around the world. This week, Kiosk owners Alisa Grifo and Marco ter haar Romeny released a collection of five pro-Obama souvenirs, which sport cheekily retrograde slogans and riff on American-made objects the shop already had in stock.

10.09.12

Current Obsession

Vitsoe’s Tumblr

If you have a particularly sprawling design-book library, or if you religiously follow things like Mondo Blogo or Herman Miller editorial director Sam Grawe's Instagram feed, you may be relatively familiar with the heaps of amazingly designed archival ephemera that original modern furniture brands tend to generate over the decades. But the rest of us still get giddy when we come upon a gem like Vitsoe's brand-new Tumblr, which the 53-year-old German stalwart launched last month to show off rarely seen bits and bobs pulled from its company files. Every couple of days, staffers dig up old invitations, promo items, photographs, and catalogs and post them alongside a snippet of information about their origins; with Dieter Rams as Vitsoe's lead designer and Wolfgang Schmidt behind its graphic identity, there's been no shortage of eye candy on the site so far. A few of our favorite examples are shown here, but we advise you to bookmark the site and visit it often — we have a feeling the Vitsoe folks are just getting started, and there's no telling what they might turn up once they really dig in.

08.31.12

Q+A

Future Eyes on I’m Revolting

When we first began following the inspiration blog mysteriously known as I'm Revolting, we knew we'd found a kindred spirit, at least aesthetically. (If you're even the slightest fan of our Pinterest, you should know that many of our posts originate with I'm Revolting's boards, or result from tumbling down the internet rabbit hole after reading one of her posts.) But it was only when we asked the Los Angeles–based blogger — whose real name is Su Wu — to pen one of our Q&A columns that we truly knew we'd stumbled upon one of our own: A former journalist who threw the contents of her interior world online after the publication for which she was writing folded, Wu is an image collector, a thinker, and a fantastic writer to boot. Today for Sight Unseen she interviews Brent Pearson, the artist behind a heavy, handmade pair of kaleidoscopic glasses known as Future Eyes.

07.11.12

Studio Visit

Cristina Grajales Gallery

At the Armory Show this past November, Cristina Grajales had an original Jean Royère Polar Bear sofa in her booth, which sold for “half a million in minutes,” she recalls. Grajales has had plenty of experience dealing in 20th-century masterpieces like these — both in her decade-long stint directing 1950 for Delorenzo and at the helm of her 12-year-old eponymous gallery in Soho — and yet her own most cherished piece isn’t some icon of modernism at all. It’s not even a design object, but a 19th-century Naga warrior costume she bought at the Tribal Art Fair, and as a mainstay of the large office and presentation room she keeps behind her gallery, only her clients and artists ever get to see it. Of course it’s they, if any, who understand Grajales’s working methods best; they come to her precisely because she looks at objects “as sculptures, for what they are,” and says she’s “not afraid to put together, say, an 18th-century Portuguese table with a contemporary silver tray.” Which is why we figured a privileged peek inside her back room, captured earlier this year by our trusty photographer Mike Vorrasi, might be the ideal way for our readers to get to know her, too.

07.10.12

Sighted

Jerpoint Irish Glass for Makers & Brothers

Anyone who was in New York for our annual Noho Design District event this spring should be familiar with the Irish online homegoods brand Makers & Brothers; they would have been the ones making a beautiful mess on the floor of the Standard East Village hotel, as their woodworker James Wicklow carved stools made from Catskills-grade green ash by hand over the course of four days. But most of what namesake brothers Jonathan and Mark Legge do to showcase their particular brand of native handcrafted goods takes place a bit closer to home — which in their case is a shed located on the same property as their parents' home and architectural practice in Dublin. Since founding their online retail venture less than a year ago, the two have made a point of visiting and documenting the workspaces of the people who create products for them — the basketweaver who grows her own willow on the banks of the River Boyne, the Irish RCA grad who knits stool covers from a warehouse in East London, and, most recently, a family of glassblowers in Kilkenny whose Jerpoint brand drinking vessels the brothers grew up with. When we wrote Jonathan to ask if we could reprint some of their text and photos on Sight Unseen, he confessed he hopes to collaborate soon with Jerpoint — so perhaps a follow-up story will be in the offing for fall. Until then, if you're in Dublin, you can pop by the brothers' shed this weekend for a summer opening. If not, live the Makers & Brothers life vicariously through our excerpt after the jump.

07.06.12

Studio Visit

Prince Ruth for Urban Outfitters

When we first got wind of the new Scandances by Prince Ruth textile collection for Urban Outfitters, we had two questions: Who is Prince Ruth? And what the heck is a scandance? The latter question, we found, was easy to answer: It’s that jittery, seismograph-through-the-lens-of-an-acid-trip effect you get when you manipulate an image while it’s in the process of being scanned. As for the former, we assumed that Prince Ruth was some under-the-radar designer we somehow weren’t cool enough to have noticed. And in a way, that’s exactly what it is: Prince Ruth is the name of a Brooklyn-based surface design studio run by Zoe Latta, a 24-year-old textile artist and RISD grad whose work is more famous than her pseudonym would suggest.

06.26.12

Sighted

New Work By My Bauhaus Is Better Than Yours

From the start, the young Weimar students behind My Bauhaus Is Better Than Yours gave themselves a crushingly large reputation to live up to. Not their alma mater's creative legacy, mind you, but those tote bags, given away when the collective-turned-production company launched in 2009. Bearing its name in a thin block print, the bags made for the perfect product even before you saw the group's actual work, and for awhile you couldn't turn a single corner at a design event without running into someone wearing one. But to the credit of the now Berlin-based company's founders — graphic designers Manuel Goller and Daniel Burchard — each furniture collection continues to hit the proverbial nail on the head, combining appealingly graphic shapes with just the right dose of functionality. Earlier this week, My Bauhaus re-launched its webshop with a new design, lower prices, and new products, some of which debuted earlier this year in Milan. We asked three of the designers behind those works to send us a list of five things that inspired their piece, from Bret Easton Ellis to solitaire.

06.13.12

Up and Coming

Shin Okuda (an excerpt from Paper View)

Today, we introduced a selection of housewares to the Sight Unseen Shop, including Shin Okuda's whimsical plywood and steel Shaped Bookends. We thought this was the perfect opportunity to introduce you to the Los Angeles designer's inspirations and work, which we originally showcased in Paper View, Sight Unseen's first-ever printed edition. Though the book has a limited run, copies are still for sale in our online shop. Get yours here before it's too late, and read on to find out more about one of our favorite up and coming designers.

05.30.12

Fair Report

At New York Design Week 2012, Part II: Hotel California

How could we have possibly known, when we first decided to host an exhibition of California design during our third annual Noho Design District, that we would be blessed with four straight days of glorious, Los Angeles–style sunshine? (Followed, of course, by a day of downpours, but more on that tomorrow.) Springtime in New York is a fickle beast, and when we first began to plan how best to use the gorgeous second-floor terrace space we’d been given at the new Standard, East Village hotel, we said a prayer for mild climes but also engaged in fretful what-ifs with our hotel ambassadors, talking of contingencies like awnings, tarps, and the possibility of moving everything — save for a nearly 50 square foot teak and rubber fort constructed on-site by Matt Gagnon — inside.

04.19.12

Fair Report

At the 2012 Milan Furniture Fair

While nothing will ever compare to the Great Ash Cloud of 2010 in terms of strange events surrounding the Milan Furniture Fair, there seems to be a fair amount of juju going on with this year's festivities — or at least with the members of our hand-picked street team, who were meant to upload photos from their bases around the Italian metropolis all this week. Pin-Up editor Felix Burrichter reported a suddenly collapsed eardrum, which stranded him in Berlin and prevented him from attending the fair entirely, while designer Sam Baron confessed his attempts to take photos at a dinner for Fiat's Lapo Eklann were sadly thwarted by bodyguards. Lucky for us, then, that we've been able to follow along on Instagram, Twitter, blogs, and a steady stream of photos arriving in our inbox from The Future Perfect's Dave Alhadeff, who's been firing off everything from potential products for his store to OMG moments to jealousy-inducing images of gelato. We'll be bringing you more photos as they roll in, but for now, here's a sampling of the first few days from one of our favorite fairgoers.

04.12.12

Sight Unseen Presents

The Sight Unseen Shape Shop at Creatures of Comfort

By the close of Sight Unseen's four-day pop-up during the Noho Design District last year, we'd come to realize a few things. One: that we quite enjoy being shopkeepers — the merchandising of objects, the banter with the public, the satisfying swipe of each credit card through our handy Square readers. And two: that four days was not nearly enough. As we watched the objects we'd put so much effort into procuring move on to more permanent retail homes, we felt a vague sense of deflation, almost like a break-up, and we immediately began plotting for pop-up number two. Never, though, did we dream what would happen next: We were approached by Jade Lai, owner of the impeccably curated Creatures of Comfort store in New York and Los Angeles, to create a Sight Unseen pop-up in the gallery space of her New York store, which had previously played host to temporary outposts from the likes of Confettisystem, Textfield, and the Japanese housewares shop Playmountain. After months of planning, we finally debuted the Sight Unseen Shape Shop this Tuesday at a blowout party.

03.21.12

What They Bought

Jacob Gleeson of The Tent Shop

It would be easy to assume a lot about The Tent Shop, a new online store run by the Vancouver-based artist Jacob Gleeson — namely, that it might be in the business of selling tents. Or, with its deadpan write-ups and roster of vintage ephemera, amateur art, and back-catalog pieces by artist friends, that the shop might be some Canadian version of Partners & Spade, and Gleeson a hyper-aware collector engaging in an art-world prank, à la Claes Oldenburg’s The Store (1961). In fact, neither is quite true. The shop’s name stems from its planned incarnation in the physical world: Gleeson intends to purchase a heavy-duty canvas tent in which he can randomly host events around Vancouver. And as for Gleeson, though he did a stint at Vancouver’s Emily Carr University of Art + Design, he tends to view his new venture through the lens of an anthropologist more so than an artist or even a shopkeeper. “I started with the intention of showing these things together as much as wanting to sell them,” he says. “I’m drawn to the individual objects but something about putting them next to each other makes them even more interesting to me, which is why I leave things up on the site even after they’ve sold. The record of an object’s existence has as much value to me as the object itself.”