Week of August 18, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week had a very geometric vibe, from our favorite picks from the NYNOW gift fair, to a lamp inspired by '80s virtual reality, to a photography series showcasing the nature of shadows.
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Jamie Wolfond of Good Thing

When we're asked by other journalists to talk about the evolution of American design, we pretty much always point to the same thing: the rise of independent designers and studios producing and selling their own work. Young American designers have increasingly become entrepreneurs in the past ten years, leveraging local manufacturing resources and online shopping platforms in order to bypass the need to wait around for big brands to do it for them. The latest such endeavor is Good Thing, a new company founded by designer Jamie Wolfond and based in New York that launches next week at NY NOW. Good Thing's first collection consists of nine products by six different designers, from a sand-cast aluminum trivet to a coiled-plastic vase to a handmade clay mug. We spoke to Wolfond about the new venture and how he's making it work.
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David Taylor in Hälleförsnäs, Sweden

Every summer, the Stockholm-based, Scottish-born designer David Taylor retreats to his family's cottage in the Swedish countryside for a spell and spends his days foraging in the woods. It isn't greens and mushrooms he's after, though, but slag — the decidedly un-edible clumps of waste compounds left behind in the production of metal. Taylor's cottage happens to be in a town called Hälleförsnäs, also home to an iron foundry that was built in the 1600s and shut down for good in 2006. "Slag can still be found just about everywhere around here," Taylor says. "It’s a worthless by-product that was produced in huge quantities and mostly just dumped out of sight in the forest for centuries." For a recent project that debuted during the Saatchi Gallery's Collect fair in May, Taylor gathered up chunks of the stuff and upcycled them into a series of colorful candlesticks.
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Patch of Sky by Fabrica

People who know me well consider me to be semi-obsessed with the weather. I check it often, and I've long had the habit — often wondering if I was the only one — of bookmarking the cities of my friends and family in my app of choice, Weather Underground, just so I could picture from time to time whether they might be out frolicking in the sunshine that day, or cowering from a nasty snowstorm. It's no wonder, then, that when an email came in this morning from the folks at the Italian design-research studio Fabrica touting their latest project Patch of Sky, a "set of three Internet connected ambient lights, enabling you to share the sky above you in real-time with loved ones, wherever they are," I dropped what I was doing and decided to post about it immediately.
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Los Objetos Decorativos by Rosa Rubio

Barcelona-based Rosa Rubio founded Los Objetos Decorativos with a focus on creating editions of handcrafted objects designed to forge a subconscious emotional bond with their owners. Her first collection consisted of Surrealist, unconventionally tactile brushes and mirrors outfitted with ostrich feathers and synthetic hair, while her newest series — Obj. No. 5, 6, 7, and 8 — is meant to evoke the emblems of an imaginary tribe or clan. "Their patterns provide a feeling of belonging," says Rubio, which in turn conveys a sense of "protection" and "gratification, which every culture stores through these kind of elements." The one-of-a-kind pieces are made from recycled textiles which Rubio has embellished with dried plants and small clay beads.
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Q+Q Watches Shot By Amanda Ringstad

When Amanda Ringstad showed a friend recently one of the images she'd styled and shot for us of a cluster of Q+Q SmileSolar watches, all linked together in a random shape, her friend's first reaction was: "That looks like a lawnmower!" Ringstad was thoroughly pleased — having been invited by us to apply her styling genius in the service of our friends at Q+Q, who partnered with us on this year's edition of Sight Unseen OFFSITE, the Seattle photographer's main objective was to present the watches in a simple, abstracted way that left plenty of room for the imagination. "Watches are a simple thing, but difficult to disassociate so that they convey something else," she explains. After initial attempts to weave them together into a kind of "textile," or arrange them on top of summery backgrounds depicting water or sand, in the end Ringstad used spare colored planes and graphic shadows to elevate her subjects above the realm of mere utilitarian objects.
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Dessuant Bone, Multi-Disciplinary Designers

Product designer Marie Dessuant and graphic designer Philip Bone met in 2010 as fellow residents at Fabrica, the Italian design research center, but their professional paths diverged for a spell afterwards. They both moved to London, but Dessuant took a job as head of design for for the furniture brand Another Country, while Bone went on to work at Wallpaper magazine and Reiss. This spring, the pair finally decided to team up to start the studio Dessuant Bone, now based in Paris, where they tackle projects that span their chosen disciplines — art direction and set design for Reiss, product design for Another Country (by whom Dessuant is still technically employed), and experimental object and furniture design for themselves. Their first official studio project, released last month, was the Bay Collection, which includes a large leaning ceramic vase, a flat vase resembling a cymbal, and a series of colorful silkscreened mirrors inspired by beach flags. Read on to see more of the duo's work and find out what the future holds for their collaboration.
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Field Experiments

From June to September 2013, Benjamin Harrison Bryant (New York), Paul Marcus Fuog (Melbourne) and Karim Charlebois-Zariffa (Montreal) set up a studio in Lodtunduh, a farming community on the outskirts of Ubud in Bali, where they generated a trove of conceptual works through daily experimentation. They collaborated with local stonemasons, woodcarvers, batik-makers, kite designers, and painters, all while "absorbing the sights and sounds of everyday Balinese life and documenting commonplace objects, agricultural implements, traditional dress, and makeshift items from the local culture," they write on the project's website. The result is a collection of more than 100 handmade objects meant to "challenge the traditional notion of the souvenir." At Sight Unseen OFFSITE, the collective will present these Field Experiments for the first time, including sketches, photographs, and personal stories from the makers.
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Rimma Tchilingarian, product designer

So much of the current frenzy around ceramics revolves around what feats each practitioner can achieve with glaze, whether it's Adam Silverman's volcanic pots, Dana Bechert's carved vases, or Ben Fiess's brushstroked jars. But for the just-graduated Berlin-based product designer Rimma Tchilingarian, it's the properties of the clay itself that fascinated her the most. "I wanted to work with porcelain at a very basic level, free of conventions or rules, creating raw and unglazed surfaces or coloring the snow-white material with pigments," she says of her first collection At the Studio, for which colored or textured parts can be combined into a whole. She burned paper to achieve a crinkled effect and mixed in pigment to get that on-trend marbled look but has yet to experiment with the thing that so many of her brethren obsess over. We were so smitten with the results of her first collection we asked her to tell us a little bit more.
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At the 2014 Milan Furniture Fair, Part III

The fairgrounds at the Milan Furniture Fair are a great place to see attainable designs by established companies and talents, but typically it's not the place to go when you're scouting for new names (though this year's Satellite show, as demonstrated in yesterday's post, happened to be a surprise goldmine). For that, you have to brave the long walks, aching feet, and lack of taxis that come along with trying to get to all the shows around town, from Rossana Orlandi gallery to the far-flung Lambrate district. We say this every year, but we barely saw half of what was on offer; that said, we saw a lot of nice things.
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Oeuffice Milanes collection Piero Portaluppi

Oeuffice’s Milanes Collection, from PIN-UP No. 16

Now that Seattle Week on Sight Unseen is over, we're turning our attention to another northwestern capital — Milan, Italy, home of the Salone del Mobile, where Jill and I are on serious scouting duty this week. Before we begin posting our annual eyewitness dispatches from the fair, though, we wanted to start our coverage with a small paean to our temporary digs: an article I contributed to the forthcoming Milan-themed spring/summer issue of PIN–UP magazine, which features the work of one of our favorite local design firms (Oeuffice) photographed inside the foundation of one of our favorite local architects (Piero Portoluppi). Click through to learn more about Oeuffice's Milanes collection of tabletop items and the impetus behind these gorgeous images, plus how you can snag the PIN–UP No. 16 when it goes on sale next month.
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Ladies & Gentlemen Studio’s Form Studies

When we first interviewed Jean Lee and Dylan Davis of Seattle's Ladies & Gentlemen Studio back in 2012, they revealed that a sizable chunk of their design process happens on and around the shelves that line every room in their home studio and serve as a kind of 3-D inspiration board.
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