The Green Goblin, Norwegian Black Metal, SpongeBob: Up-and-Coming Designer Clay Brown’s References Run the Gamut

Clay Brown’s work is shot through with an imaginative sense of play that is, quite simply, fun — but that’s not all it is. Somehow his pieces come off as minimal and spare yet highly referential and evocative, like his resin Island lamps, which call to mind cake domes; the Formica and birch I’m Ready cabinet, which could be a “mini-bar or maybe a wardrobe for a toddler;” and the jagged yet precise aluminum 1234567 bookcase, which is sharp but not at all forbidding. His Stave cabinet, part of the Sight Unseen collection, rises to a steep peak in darkly moody colors but it’s also… friendly. With its oxblood Thumbprint pull by Sam Stewart — with whom Brown has worked on several projects — it’s like a classic wooden toy scaled up to human proportions.
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Memor x Rachel Saunders

These Mosaic Vases — Incorporating Shells and Ceramics Discards — Went Viral on Instagram

Inspired by memory jugs from American folk art, Memor's vases incorporate shells, stones, or — in this case — ceramic discards from Rachel Saunders' studio. Fragmented, would-be discarded pieces of ceramics in muted greens and terracotta are given new life against the natural clay of the vessels. After a sold-out response to their debut collection, the pair are launching a second this summer.
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Thaddeus Wolfe, Glass Artist

When asked if he identifies more as an artist or a designer, Thaddeus Wolfe seems genuinely stumped. But perhaps it’s that way for anyone working with glass, a material that’s notoriously hard to confine: “I don’t think I’m a great designer,” he muses. “Maybe it’s because I’m not a master of glass yet that I never quite get what I intend. But sometimes cool things happen from mistakes.” It’s a pretty self-deprecating summation of process coming from someone whose chaotic, mysteriously opaque Assemblage vases for MatterMade are the subject of a solo exhibition opening tomorrow at Chicago’s Volume Gallery, which has in the year and a half since it opened become somewhat of a barometer for the Next Big Thing.
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