From Light & Ladder, Sculptural Objects for Every Room in Your House

Brooklyn designer Farrah Sit may have left behind a career in the fashion world long ago, but the lessons from her time there still bear a mark. Her work — both for her eponymous furniture line and for her home accessories brand Light & Ladder — has always focused on creating sculptural volumes that shift and change according to the viewer's perspective, just like a garment. Her latest homeware collection for Light & Ladder is no different — a series of sculptural planters, candleholders, vases, mugs, and trinket boxes so lovely and different they nearly transcend those categories.
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The Best of 2016’s London Design Festival

Because many of London's top designers create work throughout the year for international galleries or the Milan Furniture Fair, the LDF, in its best years, feels less about splashy furniture debuts and more about experimentation and collaboration. The stakes are lower, the opportunity for delight is higher. Here are some of the best things we found this year.
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Kelly Behun x Barneys

Kelly Behun x Barneys: A Patterned Pop-Up, Where Maximalism Prevails

For Barneys New York, Kelly Behun and her team have created an immersive pop-up and capsule collection, on view through October 31st, that translates the studio's super graphic design aesthetic into a collection of items for the home. Called A Kook Milieu, the pop-up was inspired in part by the pattern and decoration–obsessed 1970s New York gallerist Holly Solomon, who was known for blurring the line between art and design.
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Brooklyn furniture studio Uhuru Tack

A Brooklyn Furniture Studio Goes Minimal in Geometric Steel

When we first featured the Brooklyn design-build studio Uhuru, back in 2010, they were known for creating imaginative furniture collections out of salvaged materials, but their newest collection feels like a leap in a whole new direction. After finding success last year with a geometric blackened-steel console called Tack, they've expanded the series to include stools and end tables that would make Donald Judd proud.
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A Darkly Cinematic Furniture Collection, Rooted in Retrofuturism

Use Your Illusions is the third collection we've featured by the Sydney-based design studio Page Thirty Three, but it's the most cohesive by far, inspired by nostalgic visions of the future but rooted in the here and now and the studio's interest in ritual. "I love looking at how the future was forecast 50 years ago, and comparing it to how we live today," explains co-founder and creative director Ryan Hanrahan. "In most cases I like the alternate space-age visions that I saw on the big screen — or dreamt up as a kid — much more. I think a lot of what we design comes from these childhood obsessions."
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A Day’s Worth of Designy Studio Essentials From Need Supply’s New Housewares Arm

Need Supply has always been one of the first places we look when we're in the market for affordable yet fashion-y basics. But this month, the online retailer officially launched Need Supply Life, its permanent home for designs for the home. After taking a spin through the site, we realized that its wares would be equally suited to the studio, so we put together a game plan for upgrading your typical workday with gear sourced from the new site — not to mention some of our favorite makers.
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Slash Objects furniture collection

This Brooklyn Designer is Doing Amazing Things With Industrial Rubber

In a previous life, Arielle Assouline-Lichten studied architecture at Harvard's Graduate School of Design, created graphics for Bjarke Ingels's Copenhagen office, built models for Snøhetta, and interned for Kengo Kuma. But she landed on our radar this spring after she began working for someone a little less famous: herself. This spring saw the launch of Slash Objects — a glamorous, assured debut furniture and object collection that mixes brass, marble, concrete, ceramic, and industrial rubber in endless combinations and at various scales.
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A Landscape of Architectural Ceramics at Patrick Parrish Gallery

Since we first spoke to him four years ago, ceramicist Ian McDonald's pieces have gotten more architectural, more functional, and more singular — his first solo show at Patrick Parrish Gallery in New York opened yesterday, and it's full of ceramic vessels made in parts and arranged within the parameters of powder-coated trays. We spoke with him about refining the old, experimenting with the new, and the satisfaction he’s found in exploring a form that resonates.
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Week of June 27, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a weirdly synchronous amount of folded metal, a colorful alternative to all those brass bottle openers, and a new way to experience an exhibition on the other side of the world.
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New, Super-Graphic Housewares from MPGMB

Montreal duo Maude Beauchamp and Marie-Pier Guilmain of MPGMB may be responsible for one of our favorite necklaces in the Sight Unseen Shop, but they also have a thriving housewares line — in 2014, they released the Arizona Collection of stoneware planters perched atop wood-fiber stands, and now they've released a new summer series inspired by some of its design elements.
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Furniture That Nails This Year’s Coolest Shapes

Last year, it was Memphis-inspired patterns and mobile-like lamps. This year, it's ziggurats and arches. Anna Karlin — the prolific New York designer who's practically her own department store — somehow always has her finger on the pulse of whatever it is we happen to be feeling at the moment. Today we're excerpting our favorite pieces from her third collection, launched at ICFF last month.
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