A Bauhaus-Inspired Artist Makes Color Her Primary Medium

The paintings and wall-based textiles of New York–based Senem Oezdogan are like a Venn diagram where Bauhaus and Suprematism meet — almost as if Anni Albers and Kazimir Malevich were to have a baby. Her fiber-based geometric studies — made by wrapping wood panels in natural rope, punctuated by cotton floss color blocks — are deft executions of straight lines and woven shapes that tease the eye yet retain the softness of a tapestry.
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The Faded Pastels and Geometric Glamour of Ward Roberts’s Courts Series

If you're familiar with the work of photographer Ward Roberts, chances are you found his work, like we did, on Pinterest. After all, the New York–based photographer's images were practically made for social media, featuring as they do the aesthetic memes du jour: muted, pastel colors; graphic, geometric compositions; and architectural wonders seemingly devoid of any people. In Roberts's case, the backdrop common to all of his photos are the basketball and tennis courts of Hong Kong, where the Australian-born photographer was raised from the age of three.
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Anthony Sperduti Hamptons home tour

Anthony Sperduti’s Art-Filled Hamptons Hideaway

Partners & Spade's Noho storefront closed in 2014, as the brand grew up, evolved, and moved into swankier digs on Lafayette Street. But I was happy to see its spirit alive and well when I walked into Anthony Sperduti's Sag Harbor cottage for the first in an editorial series we're doing with SONOS on the homes of some of New York's most interesting — and influential — creatives. Sperduti's weekend Hamptons house, tucked away in a quiet corner on the Sag Harbor Bay, is our favorite kind of home — the perfect mix of vintage and contemporary art and objects, each with a fascinating story behind its acquisition.
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Furniture That Nails This Year’s Coolest Shapes

Last year, it was Memphis-inspired patterns and mobile-like lamps. This year, it's ziggurats and arches. Anna Karlin — the prolific New York designer who's practically her own department store — somehow always has her finger on the pulse of whatever it is we happen to be feeling at the moment. Today we're excerpting our favorite pieces from her third collection, launched at ICFF last month.
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The Best of New York Design Week 2016

New York Design Week may come hot on the heels each year of the all-consuming behemoth that is the Milan furniture fair, but to pay it any less attention would be a mistake — between Sight Unseen OFFSITE, ICFF, Colony, Wanted, and the goings-on at outposts like the Future Perfect and Matter, the days when America's most important contemporary design event was simply a watered-down rehash of Europe's are indisputably over. Here's a roundup our favorite finds from this year's show.
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10 (More) Things We Loved at Collective

The 2016 edition of Collective Design ends tomorrow, and though our time there has been mostly spent chatting with visitors, press, and neighbors in our own, relatively massive booth, we were sure to put on our press hats to suss out what other gems were on view. The caliber of the fair is truly excellent this year, from the wire and wood Nendo cabinets that line the entryway to the Lindsey Adelman light explosion way at the other end. Here are 10 of our favorite, must-see moments.
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4 Art and Design Shows You Should See This Weekend

Some of us are currently having the busiest week of our year, juggling two major shows at once. But for all our readers whose schedules are slightly more forgiving at the moment, we envy you, because there's some excellent art and design to be seen out there this weekend, and not just at Frieze or Collective Design. Here's a quick roundup.
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The Architectural Ceramics of Andrew Molleur

Ceramicist Andrew Molleur — who's based in upstate New York and will be participating in our shoppable ceramics bar at this year's Sight Unseen OFFSITE — makes slip-cast vessels and tableware that draw on his interests in the formal language of buildings, and in Japanese and Scandinavian design aesthetics.
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For Brooklyn Artist Landon Metz, Painting Takes on a New Dimension

Surprising elements — from a Duchamp readymade and postmodern tables to avant-garde music and architecture — are the seedlings with which 30-year-old Landon Metz sows his artistic philosophy. For Metz, whose studio resides in Bushwick, these are all materials that belong to the same creative ecosystem. They also provide fertile ground for his spare, lighter-than-air paintings, which tend toward the biomorphic and richly hued repeating patterns. His latest exhibition, open now through April 9th at Paul Kasmin Gallery in New York, centers around Metz’s affinity for the work of Color Field painter Morris Louis, one of the movement’s central figures.
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