“Another Cats Show” at 356 Mission

“Another Cats Show” may have started as a one-liner, but that doesn’t mean it fails to land the joke. The exhibition, which closed this week at the Los Angeles gallery 356 Mission, included feline-themed pieces from 301 artists and proved that what they say about die-hard cat lovers is pretty much true: They may be crazy, but they also totally mean it. “People assume cats will be funny,” says Ooga Booga founder Wendy Yao, a partner in the space. “It is casual and inclusive, and gives artists a chance to do something not quite as monumental.”
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Ricky Swallow vs. Matt Paweski, for Herald St London

As much fun as it is, as journalists, to the pick the brains of the artists and designers who inspire us every day, there's something we enjoy even more: being a fly on the wall as two of our favorite creatives spar back and forth about their craft. It's something we'll never understand as intimately as those who are makers themselves, and when those makers are as thoughtful about their work as Los Angeles artists Ricky Swallow and Matt Paweski are, it makes for a most excellent Friday read. Swallow interviewed Paweski in advance of the latter's solo exhibition, opening tomorrow at Herald St gallery in London, and we were lucky enough to nab a transcription of that Q&A. Read on to find out what makes a Matt Paweski, which direction his work is going in, and what the heck a "kerf" actually is.
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Strange Plants by Zio Baritaux

We've all been thinking it, but the Los Angeles writer and publisher Zio Baritaux finally did it — put together a project capturing the prevalence of plants in contemporary art these days. Her new book Strange Plants contains interviews with ten artists of varying mediums who focus on flora in their work — three of which we've excerpted below — plus selections from the portfolios of 15 more, including an interlude featuring tattoo artists. Baritaux says she was inspired to create the book not necessarily by the trend she was witnessing in the art world, but by the elaborate gardens full of koi ponds and topiaries that her mother grew when she was a child. "I didn’t really appreciate these gardens until I was an adult, living in an apartment in L.A. with no outdoor space or plants to call my own," Baritaux says. "There were plants throughout the neighborhood, like night-blooming jasmine and overgrown bougainvillea, but it wasn’t the same. I wanted to experience them. So I brought plants inside my apartment — a hanging terrarium, a potted cactus, and so on. These plants brought back memories and inspired me, just like the art I had hanging on the walls. So it seemed natural to create a book that combined the two."
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New Work by Matt Merkel-Hess

In our Saturday Selects column last week, we made mention of "More Material," the now-closed exhibition at Salon 94 Bowery in New York, curated by the London-based fashion designer Duro Olowu. What we didn't mention was the bonkers amount of new work Los Angeles–based ceramicist Matt Merkel Hess created for the show and shop (not all of which was included in the exhibition). Merkel Hess is best known for the ceramic copies he makes of everyday objects; for his 2013 show at Salon 94 Freemans, the designer rendered vintage Dust Busters, Super Soakers, stand mixers and the like in glazed porcelain. Here, he focuses on three distinct forms: porcelain novelty ears, flip-flops and West African water kettles.
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Joanna Williams of Kneeland Co

Last summer, we ran one of our favorite stories to date: a glimpse inside an 1980s-era Scandinavian design book that Seattle designers Ladies & Gentlemen Studio had unearthed while cleaning house. We'd intended to keep going with the column — ostensibly a place where people could show off the strange, beautiful, and mostly out-of-print volumes that populated their libraries — but somehow it fizzled out. We'd been talking this summer about resurrecting it, when at the same time we found out that Joanna Williams, the LA-based owner of the Kneeland textile studio and online marketplace was opening a third branch of her multi-faceted business: a research library, where clients could comb through the curated images Williams has amassed over the years or search through books or magazines focused on graphics, textiles, decorating, and more. We'd found our first subject.
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Ben Sanders, Artist

L.A. artist Ben Sanders was already making paintings, drawings, illustrations, and sculptures when he co-founded a collaborative art direction and photography studio, Those People, not too long ago. As if all those mediums weren't enough, though, the 25-year-old Art Center College of Design graduate recently started making objects, too, in the form of ceramic pots that he finds and uses as 3-D canvases, for paintings of wildly colorful air-brushed faces compiled from playful '80s-style shapes.
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Otaat / Myers Collective

If the best reason to know the rules is to be smarter about breaking them, then consider the year-old collaboration between designers Albert Chu and Jennifer Myers not so much a violent upheaval but an exercise in playfully tweaking the system. Chu and Myers met while studying at Harvard’s Graduate School of Design — an institution they say reinforced their respect for constraints — and each worked in architecture and launched an accessories line before combining their shared pedagogy into a series of leather and brass pouches. “I think working within, and rebelling against, a set of parameters is actually the ultimate in design fun,” Myers says. Chu agrees: “We love working with fundamentals and trying to introduce a slight deviation,” says the designer of Otaat, which stands for “one thing at a time.” “Harvard was about being restrained in the conceptual and design intervention, that sometimes the most effective and thorough result could arise from a minimal, subtle act.”
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Week of July 7, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: ceramics from a graphic designer, paintings from a lighting designer, and the coolest $300 rock you've ever seen.
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Kate Miss

The fact that Los Angeles designer Kate Miss has, since we shot her Koreatown workspace last fall, chopped off her hair, adopted a dog, and moved studios not once but twice — the second time abandoning her freelance graphic design life altogether for a full-time position at Karen Kimmel — may tell you just how busy we’ve been around these parts. But it could just as easily be a reflection of how much Miss craves change. She’s the only person we’ve ever heard utter the words: “I love moving.” And yet that peculiarly peripatetic quality is what defines Miss — it’s what brought her from Seattle to New York and finally to LA, and why she’s equal parts known as a blogger, a photographer, a jewelry maker, and a graphic designer.
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Morgan Peck at Jancar Jones Gallery

When we first took notice of Los Angeles ceramicist Morgan Peck in 2012, it was because she had suddenly become ubiquitous in the concept-shop scene, with her vessels and abstract mini-sculptures popping up at all of our favorite places (Mociun, Totokaelo, Iko Iko). Now that she's moved into an entirely new territory — the art world — with the opening of her solo show at LA's Jancar Jones Gallery last week, we figured it was the perfect time to revisit her work. We asked Peck for her thoughts on her change of scenery, and how her sculptures have made the transition from shelf to plinth. "When Ava and Eric offered me the opportunity to have a show at Jancar Jones last February the first thing I thought was: Are you sure?" she says.
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Laure Joliet, photographer

You could say that photographer Laure Joliet is in the image business, but her work is about depth as much as surface. She has a way with spaces, rendering them intimate and mysterious at the same time, capturing the revealing detail you notice out of the corner of your eye. Though her subject is often interiors, a large part of her job involves getting to know people. “I spend the day with them and find out things I don’t know that you would normally get to find out, what they’re passionate about. It feels really satisfying to have that experience.”
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Joanna Williams of Kneeland Mercado on Sous Style

There are a lot of reasons we've been reading Sous Style since former Elle photo director Pippa Lord first launched it in 2011: the casual, contemporary feel of the food photography, the glimpses into the homes and private lives of some amazingly cool women, and of course, all those incredibly gorgeous men(!). But we also love when Lord surprises us with different types of approaches to mixing food with fashion, design, and culture, including a post she did recently on textile-sourcing maven Joanna Williams of Kneeland Co. Mercado — in it, Williams reveals both the stories behind some of the items she's brought back from various cities to sell in her Los Angeles shop, as well as all of her favorite things to eat while visiting those places. Check out an excerpt from the story after the jump!
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