Week of June 16, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was all about color treatments: chemically chromated mirrors, ombre lampshades, colored smoke, brushstrokes, glazes, and good old-fashioned paint daubs.
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Our Top 5 Picks From RCA’s Graduate Show 2014

As the summer solstice approaches, so too does a wave of graduate shows offering up the latest creative projects and design solutions from the leading sphere of design schools. In London, no show is more hotly anticipated than the Royal College of Art’s annual exhibition Show RCA, noted for its impressive arsenal of postgraduate talent. We couldn’t miss the opportunity to spot this year’s pool of emerging stars across the contemporary art and design practices. The show took place simultaneously across two campuses: Design Products in Kensington, which offered its usual heady mix of modern-day design solutions, and over at the Battersea campus, Textiles, Fine Art and Sculpture students refreshed the visual senses with investigations into color and material. Here are our top five "ones to watch" from the exhibition.
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Norwegian by Nature

When it comes to contemporary Scandinavian design, the furniture love tends to go to Denmark (Hay, Muuto, Normann Copenhagen) while Finland gets all the attention for its graphic design (Tsto, Lotta Niemenen, Kokoro & Moi). But Norway's design identity was always a bit more elusive — that is, until recently. This month in New York saw an onslaught of celebrations of Norwegian design, including Norwegian Icons — which celebrated the Nordic country's contribution to midcentury — and Norwegian by Nature, a survey of emerging talent curated by our friend Paul Makovsky of Metropolis, who criss-crossed the small Nordic country visiting schools, studios, and design fairs to gather a group of 23 design shops on the cusp of stardom. Norwegian by Nature was part of the Inside Norway booth at ICFF, and it was one of our favorite concepts for an exhibition in a long time. Prototypes by the up-and-coming studios (like Silje Nesdal, whose Granit bookends are shown above) were mixed with vintage pieces curated by Oslo-based Fuglen as well as works by more established companies like Roros Tweed and Mandal Veveri. All of the prototypes were having their North American debuts, but we can only hope some brave, deep-pocketed soul will soon put these beauties into production so we can see a whole lot more of them.
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New York Design Week 2014: ICFF & The Best of The Rest

There was only one drawback to having a smashingly successful show of our own this year: It left us woefully little time to pound the pavement, seeing what other goodies this edition of NYCxDesign had to offer. A partial list of things we were sad to have missed: The Gourmand's fruit stand at Vitsoe, the gorgeous Alexander Girard for Herman Miller space, a dance performance at The Future Perfect the night of our own cocktail party, Anna Karlin's textile collaboration with Japanese weavers Hosoo at Atelier Courbet, the Yabu Pushelberg exhibition Rational x Intuitive Thought, and the debut of what may end up being the first and last furniture collection by Fab. But there were moments when we did manage to sneak away.
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Matter—Made’s 2014 Lookbook

At Matter's ICFF booth, we managed to snag a copy of the design store's brand-new Matter—Made lookbook, which was art directed, styled, and photographed by our personal Sight Unseen dream team, Benjamin Critton and Brian W. Ferry. The collection itself was already fantastic — brand new, disc-shaped LED pendants and stocky oak stools by Matter owner Jamie Gray, an expanded HS1 shelving system by Henry Julier in the cutest colors, and the first commercially available pieces from Jonathan Zawada's Affordances line. Add to that Critton's custom type treatment and props sourced by Critton and Ferry — which included black Slinkys, gold-plated hands, and a blue squiggle that looks like it fell off a Thighmaster — and you've got an excellent collectible object.
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A Tour of the Sight Unseen OFFSITE 2014 Show: Part II

Though your Sight Unseen editors have been in major curation mode for the past two weeks, we've also had day to day work to do as, you know, journalists. So for five days during our Sight Unseen OFFSITE event last week, Monica and I set up camp on the Astroturf-covered bleachers of the MOLD Future Food Café, where we caught up on emails and posted stories to this very site. It was the perfect vantage point from which to view our own event: We could see friends and VIPs on their way in, and we could overhear people heading to the elevator, on their way up to the second floor. The most common refrain we heard? "Oh my God, there's more upstairs?"
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New York Design Week 2014: Spanish Design at Sight Unseen OFFSITE

We've had a special place in our hearts for Spanish design for as long as we can remember. After all, the very first scouting trip we ever took for Sight Unseen, way back in the summer of 2009, was to sunny Barcelona. (Don't even get us started on Design in Spain, the last full issue Monica and I worked on at I.D. Magazine, and one of our personal favorites, period.) So when the Spanish trade commission in New York asked us earlier this spring if we'd be interested in curating a selection of our favorite recent Spanish designs for Sight Unseen OFFSITE, the answer was an unequivocal yes.
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Collective 2 and Frieze New York 2014

A little more than a week ago, we were eyeball-deep in preparations for our Sight Unseen OFFSITE show, which runs for two more days in New York City. We had insurance permits to apply for, electricity installations to oversee, and staffers to train, but we were still determined to drag ourselves away long enough to see two of our favorite shows of the year: the Collective Design Fair, and Frieze New York. And oh, was it worth it — Collective had nearly doubled in size since its first edition last year, and Frieze once again gathered some of the most gorgeous art we'd seen in ages under one roof (not to mention with killer food by the likes of Roberta's and the Fat Radish). See a small selection of our highlights after the jump, then head over to our Facebook page to see much, much more.
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Creative Women at Work: Bec Brittain

It's amazing what a difference five years makes. When we first profiled New York lighting Bec Brittain in 2009, she was an artist and creative director at Lindsey Adelman's studio, but her own design portfolio was so slim we featured only one of her creations: a chandelier she'd made for her own home out of off-the-shelf parts from McMaster-Carr. Fast forward five years and Brittain, who left Adelman's studio to form a solo practice in 2011, is now one of the most exciting, in-demand lighting designers on the American design scene.
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Print All Over Me x Sight Unseen

Back in December, we embarked on an experimental curatorial collaboration with Print All Over Me, the amazing print-your-own-pattern service, founded by fashion designer Jesse Finkelstein and his sister, Meredith, that allows designers to upload any graphic they please onto fashionable white blanks — sweatshirts, bomber jackets, shift dresses, backpacks, leggings, and more. The project — for which we hand-selected illustrators like Will Bryant, Tim Colmant, and Clay Hickson — was such a rousing success that Jesse approached us for round two a few months ago. We were already 100 percent sold on the idea, thinking we could sell the results at a pop-up at our Sight Unseen OFFSITE event — which opens today at noon! — when Jesse casually emailed this bomb: "Hey! Let's also talk about print all over furniture!"
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Week of May 5, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a little bit of Scandinavian design heaven in downtown Los Angeles, lots of emerging designers under one roof in far-out Brooklyn, and a preview of the design hothouse that is the coming week in New York City.
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Doug Johnston, Basket Artist

Growing up in Tulsa, Oklahoma, Doug Johnston was surrounded by the Native American art that his parents voraciously collected — woven rugs, Kachina dolls and coiled baskets made from materials such as pine needles, yucca, acacia and bear grass. But when the Brooklyn-based designer decided a few years ago that he’d like to learn coiling himself, to make baskets from stitched lengths of cotton rope, he didn’t travel to the Southwest to train with a master craftsperson. Instead, he went on YouTube, scouring instructional videos for a new approach. “Traditional coiling techniques are really labor-intensive,” he says. “You have to go inch by inch, one stitch at a time, and mastering that technique could take years. I was too impatient.”
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