See Inside Maniera Gallery’s New Home, a Belgian Art Deco Masterpiece

When Belgian design gallery Maniera first opened nearly a decade ago, the works were located inside the loftlike apartment of Maniera's founders, Amaryllis Jacobs and Kwinten Lavigne. The gallery has gone through many incarnations since then — including once popping up in a famed Brutalist house in Ghent — until this spring, when it moved into its new permanent digs: the Hôtel Danckaert, also known as Villa Dewin, a landmarked Art Deco building in Brussels designed in 1922 by architect Jean-Baptiste Dewin. Maniera’s first exhibition in the space, which opened last month, features 15 new designs by artists and architects, all of which were created to respond to the gallery's imposing setting. 
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Jonathan Muecke’s New Works Are a Familiar Enigma

Jonathan Muecke doesn't seem particularly interested in siting his work on the spectrum between design, art, and architecture, so we won't do it for him either. But the interesting thing about his new works for Volume Gallery is that they're described in the exhibition materials as "unknowable" but also "open to ongoing interpretation" — which, in some paradoxical way, makes them more knowable?
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Week of September 9, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the latest exhibition of enigmatic work by Jonathan Muecke, several new specimens of curvy and blobby furniture, and a show of paintings by Brian Rideout whose source material is 1970s interior photography (above).
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We Asked 13 Design and Fashion Influencers to Predict Spring’s Biggest Color Trends

When a color suddenly feels like THE color, it lodges itself in your brain temporarily, influencing every eBay search, shopping trip, and Instagram like you make until the next color comes along to replace it. This month we reached out to 13 of our most trusted design and fashion authorities to find out what hue they were stuck on for spring — folks like Dusen Dusen, Tekla Severin, and Harry Nuriev — then teamed up with Behr to suggest the perfect paint color to get the look in your own home.
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A Breathtaking Furniture Installation Staged Inside a Famed Brutalist House

When we named Jonathan Muecke to our American Design Hot list in 2014, the enigmatic Minnesota architect summed up his motivations with a 1963 George Brecht quote about seeking precision in objects — the same kind of precision, presumably, that he saw in the starkly angular 1974 Van Wassenhove House by Belgian architect Juliaan Lampens, where he recently spent a week making a new body of work for Maniera gallery.
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2014, Part III

This week we announced the 2014 American Design Hot List, Sight Unseen's unapologetically subjective annual editorial award for the 25 names to know now in American design. We're devoting an entire week to interviews with this year's honorees — get to know the next five Hot List designers here.
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Our 2014 Honorees

Last year, after being asked for the umpteenth time to share our take on who the key players are in the American design scene, we decided to launch the first annual American Design Hot List — an unapologetically subjective editorial award for the names to know now in American design. We intended for the list to act as our guide to those emerging and mid-career talents influencing the design landscape in any given year, whether through standout launches, must-see exhibitions, or just our innate sense that they'd be ones to watch. But when we thought about the fact that no one else was doing anything remotely similar, we realized that the American Design Hot List could play a wonderful ongoing role in spotlighting the hard work and superior skill of a group of creatives who we believe deserves recognition.
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Future Tropes at Volume Gallery

"Timeless" is probably the most overused — and abused — word in design in recent years, typically employed by designers in the context of sustainability in order to imply that a piece has such a classic look or function that its expected longevity can somehow justify its existence in a sea of wastefulness and overproduction. Future Tropes, a new group show that opened this past weekend at Chicago's Volume Gallery, approaches the concept of timelessness from a very different angle, however: "The work should be slightly ahead of the world, slightly un-contemporary, setting the stage for future codes yet operating in a place that precedes our ability to apply language to those codes." (—Jan Verwoert, as adjusted by RO/LU.) In other words, objects that are equally linked to our prehistoric past and our distant, utopian future. Volume curators Sam Vinz and Claire Warner proposed that brief to Leon Ransmeier, ROLU, Jonathan Muecke, Tanya Aguiñiga, Jonathan Olivares, and Anders Ruhwald, who exchanged ideas on the topic before each creating a custom piece responding to it. See the results after the jump.
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Jonathan Muecke for Volume Gallery

Jonathan Muecke makes me anxious. I love his work so much, but I don't entirely know what it means. I love his work so much, but he barely makes any of it. I love his work so much, but I don't understand what he's doing up there in Minneapolis, keeping mostly to himself. However I suppose it's appropriate that he would cultivate the same cool, detached, mysterious air as his pieces, which — when I interviewed him for W magazine back in 2011, the first time he launched a collection with Volume Gallery — he described as "relational objects," things with unfamiliar but contextual functions like "scrambling everything in a room" or "behaving like a mass — something you don't really want to think about." To that end it may be equally appropriate (if not semi-amusing) that on the occasion of Muecke's second show with Volume, opening tonight in Chicago, curators Sam Vinz and Claire Warner asked a psychiatrist rather than a writer to interview him for the catalog, who probed him about equalizing and collapsing before concluding that "I find everything we’ve discussed completely logical, yet strange ... in the true sense of something not yet encountered, or still unknown." We've excerpted a few key moments from the conversation between Muecke and Dr. Brian Stonehocker after the jump, alongside images of all six pieces from the new series.
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Our 2013 Honorees

Last week on L'Arcobaleno, Jill was asked to cover the recent rebirth of New York design, discussing the transformation with key players like Jason Miller, Lindsey Adelman, and Dave Alhadeff. "Once again there’s a scene that’s celebrated internationally," said Alhadeff, and we couldn't agree more — ever since we founded the Noho Design District in 2010, which is largely devoted to American talents, we have been asked countless times by global designers and journalists to share our take on all the exciting things happening on our home turf, and we're always happy to oblige. After a while, though, it got us thinking: Why wait for people to ask? Why not create an easy resource we can share with everyone? And so, introducing the American Design Hot List, a totally unscientific, unapologetically subjective portfolio of the emerging and semi-emerging furniture and product designers we think you should know now.
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