Meredith Turnbull, artist

A few Saturdays ago, we featured Australian artist Meredith Turnbull's incredible, powder-coated brass jewelry, but today we wanted to turn your attention to her equally terrific art practice. Navigating her website, we became intrigued by images of totemic metallic structures that were nevertheless labeled as photography. We asked Turnbull herself to clarify: "My practice as an artist has really been shaped by my training: first studying photography, then doing a degree in Art History, then later a degree in Fine Art specializing in gold and silversmithing. This affected the way I work and made me very interested in ideas in and around discipline, functionality, art and design history, and of course context! I'm preoccupied with theories and ideas about purposeful objects and their relationship to people as well as new contexts for those ideas. So I make objects across a variety of scales. Sometimes I photograph these but only exhibit the photograph; sometimes I show small objects alongside larger installation work. I'm always trying to work with scale and the context in which I'm exhibiting."
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Jewelry By Architects

Sight Unseen: Jewelry By Architects

Until about six months ago, there was only one Munari we idolized: Bruno, one of our favorite 20th century designers and design theorists. (If you haven't read Design As Art, we suggest you hop to it!) But then, one fateful day this past spring, we were wandering aimlessly around the internet when we stumbled on what is perhaps the biggest editorial coup we've scored in years, and thus began our love affair with Cleto Munari — the Italian designer, who as far as we can tell is unrelated to Bruno, commissioned a dream-team of architects like Ettore Sottsass and Peter Eisenman in the early '80s to create a jewelry collection for his eponymous company, and the project had almost no coverage anywhere on the web. We immediately snapped up a copy of the incredible out-of-print book that documented it, which we're excerpting just a small portion of here.
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Heddle & Needle

Before she got hooked on weaving, Rachel Gottesman was both a painter and a jewelry-maker, and the influence of those preoccupations is wonderfully obvious in her small-scale textiles, which she creates under the name Heddle & Needle. Gottesman treats each small weaving as a tiny canvas on which to work out ideas about things like color, composition, linearity, topography, and adornment. Formerly a director of artist relations at Threadless in Chicago, Gottesman moved back to New York about a year ago, and in the short time since she discovered her affinity for the medium, she's made weavings that incorporate grids, geometrics, hieroglyphs, brass charms — even tiny squares made to look like Boucherouite rugs. The weavings are small – usually no more than a foot wide and two feet long, though she has plans to go big — and accessibly priced, which is why we immediately looked her up when we needed someone to create a textile series for our recent pop-up at Space Ninety 8. At the same time, we thought it was the perfect time to get to know her a little bit better on the site.
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Week of September 8, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: marble, fake marble, and a marbled painting made with a broom. Plus, select highlights from the London Design Festival, which started today.
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Page Neal of Bario-Neal

Seven years ago, when Page Neal and Anna Bario decided to relocate from New York and San Francisco respectively to work on a sustainably-minded line of jewelry, they chose Philadelphia because it was both affordable and close to New York City. “The decision to move here was a complete whim,” Neal told me over iced tea in her kitchen when I visited her South Philly home earlier this summer. “I didn’t know anyone and neither did Anna.” But the gamble paid off: The city, it turned out, had a thriving jewelry district where casting, engraving, and stone-setting workshops have sat above storefronts for generations. “It’s an amazing place for makers because small-scale manufacturing is really accessible,” Neal says.
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Week of July 14, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: experimental materials made from chalk and coal (above), a new Book/Shop annex in New York, and our first-ever radio show interview, with Design Sponge's Grace Bonney.
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Studio Uribe’s FW14 Collection

We spotted the new London-based jewelry designers Studio Uribe on the shelves of one of our favorite boutiques, Hunting and Collecting in Brussels. Helmed by couple Sion and Tiffany Phillips, the brand recently launched its first collection for FW14, which pairs sleek 18K gold-plated brass with abstract striped-enamel and lapis lazuli accents.
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Kate Miss

The fact that Los Angeles designer Kate Miss has, since we shot her Koreatown workspace last fall, chopped off her hair, adopted a dog, and moved studios not once but twice — the second time abandoning her freelance graphic design life altogether for a full-time position at Karen Kimmel — may tell you just how busy we’ve been around these parts. But it could just as easily be a reflection of how much Miss craves change. She’s the only person we’ve ever heard utter the words: “I love moving.” And yet that peculiarly peripatetic quality is what defines Miss — it’s what brought her from Seattle to New York and finally to LA, and why she’s equal parts known as a blogger, a photographer, a jewelry maker, and a graphic designer.
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Week of January 27, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a stunning geometric '70s tapestry piece, dispatches from the LA Art Book Fair, an unconventional take on a diamond ring, and a jealousy-inducing Art Deco-era necklace (pictured above) found by Caitlin Mociun at an antique fair in Miami.
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Week of January 20, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an art installation inspired by Facebook, a refined furniture collection by a Danish design student (above), and a mirror you could get lost in.
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Kay Wang, The Things We Keep

If you only knew Kay Wang through her Instagram — and chances are you might, considering her 33,000 followers — you wouldn’t necessarily immediately know what she does for a living. She could easily be a baker, a stylist, a ceramicist, or a woodworker; in December alone, she posted pictures from her Bed-Stuy, Brooklyn, apartment of the frangipane tart she’d baked, the cherry cutting boards she’d sanded and oiled, the canvas bags she’d dyed with onion skin, and the silk cord necklaces she’d strung with hand-carved brass pendants. (And you’d certainly never guess that she spent nine years before moving to Brooklyn as an online marketer in Los Angeles and Seattle.) What she is, very clearly, is a restless creative spirit; so much so that even though her main focus right now is as a jewelry designer who crafts under the moniker The Things We Keep, she has trouble pinning herself with a specific label.
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50 Gifts We’re Coveting

Introducing the first annual Sight Unseen holiday gift guide! We've been scouring our favorite shops, both here and abroad, and over the next two days we’ll be featuring 25 items per editor. Today's picks come from Jill, whose taste runs more towards all things pretty, colorful, and mid-century.
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