Taking the Temperature of the Scandinavian Design Scene In Norway

If anyone needed proof this year that Scandinavia had quietly usurped London's status as the world's hottest contemporary design scene, it could be found at the Salone del Mobile in April, where the presentation that Danish brand Hay put on, complete with a pop-up shop and an utter madhouse of a cocktail party, was pretty much the talk of the town. It's entirely thanks to the rise, in the past few years, of not just Hay but brands like Menu, Ferm Living, One Nordic, Muuto, Gubi, and Design House Stockholm, all of whom are working with emerging talents across the region. As we've watched the Nordic scene grow, we've managed to pay visits to Sweden (three times), Denmark (twice), and Finland (once, in the dead of winter, natch) — even to Iceland, for its DesignMarch festival three years ago. That left Norway as our personal holy grail, made doubly intimidating because of its famed reputation for being outrageously expensive. Two weeks ago, as you may have noticed on Instagram, we finally took the plunge.
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Dessuant Bone, Multi-Disciplinary Designers

Product designer Marie Dessuant and graphic designer Philip Bone met in 2010 as fellow residents at Fabrica, the Italian design research center, but their professional paths diverged for a spell afterwards. They both moved to London, but Dessuant took a job as head of design for for the furniture brand Another Country, while Bone went on to work at Wallpaper magazine and Reiss. This spring, the pair finally decided to team up to start the studio Dessuant Bone, now based in Paris, where they tackle projects that span their chosen disciplines — art direction and set design for Reiss, product design for Another Country (by whom Dessuant is still technically employed), and experimental object and furniture design for themselves. Their first official studio project, released last month, was the Bay Collection, which includes a large leaning ceramic vase, a flat vase resembling a cymbal, and a series of colorful silkscreened mirrors inspired by beach flags. Read on to see more of the duo's work and find out what the future holds for their collaboration.
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Alyson Fox

When you consider the range of projects designer Alyson Fox has carried off, you might wonder if there’s anything she can’t do: prints, illustration, jewelry, clothing, textiles, not to mention a book of portraits. While Fox has degrees in photography and sculpture, she says she never really had a preconceived idea “of what I wanted to do or what it would look like.”
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Week of February 10, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: sculptures made from deconstructed window blinds and laminate floors, a book on vintage corporate identity design manuals, a series of fake Cuban shop windows (pictured above), and the most excitement we've ever experienced over a bar of soap.
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Studio AH–HA’s Stationery Collection

We don't do this very often at Sight Unseen — post about the same subject twice in the span of two weeks — but in this case, we couldn't help it: When the young Portuguese graphics duo Studio AH–HA submitted their answers for our recent Up and Coming profile, they included eight impeccably styled photos of their personal stationery collection, and we couldn't bear to let the images go to waste. There are few things more beautiful than old paper goods, as anyone who's ever perused the goods at Present and Correct, or the mountains of vintage office ephemera available on Etsy, can surely attest. So we asked AH–HA's Catarina Carreiras and Carolina Cantante to share the stories behind the objects in the photos they shot for us, many of which they inhereted from Carreiras's late grandfather.
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Studio AH–HA, Graphic Designers

Working as a design journalist confers some pretty amazing benefits — travel to international design fairs, VIP invitations to parties, the occasional holiday gift — but this, right here, is hands down our favorite part of the job: discovering something so new and exciting we get a rush just from being the first to be able to share it with you. We originally met Portuguese graphic designer Catarina Carreiras a few years ago during the Milan Furniture Fair, where she was helping staff the installation of her then-employer, Fabrica, and we've kept in touch with her ever since; in 2011 she joined forces with fellow designer (and OMA alum) Carolina Cantante to start the communication and design agency Studio AH—HA, which now operates out of Sam Baron's office in Lisbon. Carreiras still does work for Sam and Fabrica, but as of this very story, she and Cantante are officially announcing the existence of their burgeoning practice — and its brand new website — to the rest of the world. You'll want to stare at the duo's gorgeous work for ages; seeing as it's the last story we'll be posting until January 2 as we embark our annual holiday hiatus, you'll have plenty of time to do just that. Happy new year, and enjoy!
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Week of December 16, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: the best patterns of 2013, a new stationery set by one of our favorite fashion designers (pictured above), Design Prom, and more.
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Daniel Entonado, Illustrator

Daniel Entonado is a Madrid-based illustrator, textile designer, and graphic designer whose drawings are dense, whimsical, and often totem-like. We stumbled on his work randomly on Instagram, but apparently according to some he's the "zine king of Madrid" — check out selections from his portfolio below, then see one of his zines in action on Vimeo.
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Shop Sight Unseen on Print All Over Me

In April, we introduced you to BYCO, a production platform and online shop for custom clothing designs submitted by up-and-coming fashion talents. But BYCO also had a small section for housewares, where designers could apply imagery to a standardized selection of pillows, duvets, and curtains — an idea that co-founders Jesse and Meredith Finkelstein have taken one step further with their new spinoff project, Print All Over Me. The site harnesses the same overseas manufacturing capabilities the pair utilize for BYCO, but instead of producing custom pieces, it offers designers a choice of eight blanks onto which they can apply any image file — think CafePress, but with shirts, sweatpants, hats, pillows, totes, and scarfs that are actually fashion-forward (Jesse's also the designer behind the New York label JF&Son). Print All Over Me is technically still in beta, but we were so excited about its possibilities that we invited a few friends — Will Bryant, Mel Nguyen, New Friends, Clay Hickson, and Tim Colmant —to post a few items just for us. Read on to check out and shop their mini-collections, or create and sell your own designs.
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Week of November 11, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, events, and more from the past seven or so days. This week: A website all about watermelons, a $28,000 Memphis cupboard, an exhibition of non-traditional collages (including the drawer-pull piece by Jeffrey Tranchell above), and more.
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LDF 2013: So Sottsass at Darkroom London

Had we thought of it ourselves, "That's so Sottsass" is a phrase we might have used hundreds of times over the past five years to describe all the designs spawned by the recent mega-Memphis revival. Crazy colors, clashing patterns, geometric shapes on shapes — it all came rushing back in homage to Ettore and his crew, a fact which the intrepid duo behind our fave London store Darkroom chose to acknowledge this week with the debut of their So Sottsass collection. Launching last night — day one of this year's London Design Festival — the installation includes both Memphis-like objects by outside designers and new pillows and wrapping papers conceived by Darkroom owners Rhonda Drakeford and Lulu Roper-Caldbeck as part of their ongoing in-house collection. There's also an amazing window display by up-and-coming Italian stylists StudioPepe. Drakeford took time out of her crazy LDF schedule to not only share photos of So Sottsass with us, but to tell us the inspiration behind the collection: "At Darkroom, we've always had a penchant for maximalist modernism — bold colour palettes, big patterns, and brave combinations," she says. "In a decade of 'greige,' we love exploring how being bold and playful with design can fit into modern life."
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