Our 35 Favorite Finds at the 2019 London Design Festival

We combed through images from dozens of exhibitions and launches to ferret out the works we were most excited about from this year's London Design Festival, from rainbow tables to iconic reissues to lots and lots (and lots) of wavy furniture. Check out all of our picks after the jump.
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A Himalayan Salt Chair and a Purple Ombré Space Bench Were Among Our Favorites at This Year’s In Good Company

There were many quote-unquote "winners" in this year's In Good Company exhibition, which opened last week and was co-curated this time around by Fernando Mastrangelo and Milanese design doyenne Rossana Orlandi. But this year, there was an actual winner as well — someone who would be chosen by a jury of peers and offered $5000 to further their practice.
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For LDF, 20 Designers Made Masks Representing How They See Themselves, And the Results Are Hilarious

Having been invited to curate an LDF exhibition for SEEDS gallery on the theme of Nature/Nurture, the design studio M-L-XL decided to focus on human nature, and one of its darkest facets in particular — the masks we put on in order to present an idealized version of ourselves to the world, especially in the image-obsessed age of social media. The resulting show, however, is one of the wittiest, most playful LDF presentations we've seen in awhile, with 20 designers representing their identities through handmade masks ranging from the beautiful to the hilariously grotesque.
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Week of September 9, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the latest exhibition of enigmatic work by Jonathan Muecke, several new specimens of curvy and blobby furniture, and a show of paintings by Brian Rideout whose source material is 1970s interior photography (above).
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The 2019 Design Parade Festival Is a Total Visual Overload — In the Best Possible Way

If you've ever looked closely at coverage of the annual Design Parade festival in France, we're guessing that like us, your reaction was probably a mixture of bafflement and awe. How do they manage to get so many new objects and new ideas in one (tiny) place, not to mention so many balls-to-the-wall interiors with what appear to be no-expense-spared, move-in-tomorrow production values? Design Parade is practically on the level of the Milan Furniture Fair in terms of the volume of visual inspiration it provides — check out our sprawling overview of 2019's show here.
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A New Exhibition Asks: Can Digital Representations Eclipse the Experience of Physical Objects?

Soft Baroque's "World of Ulteriors" exhibition at Étage Projects in Copenhagen, which closes this week, features many items that are simply variations on the duo's existing work. The new conceit here is the way in which these items are presented: In each vignette, a collection of furniture sits atop a curved, zero-horizon backdrop — something akin to a seamless, but here depicting a fictional interior that's completed by Soft Baroque's domestic objects.
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Week of May 27, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: travertine made a comeback, Bauhaus blankets did too, recycled mattresses became furniture, and high design made its way into a day spa in England (above).
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