Marcin Rusak’s Inflorescence and Other Artefacts

It may seem daring to open an exhibition on the eve of the annual design carnival that is graduate show season in London but Marcin Rusak doesn't have to worry about a lack of attention. It was a big year for the London-based designer, who kicked off his artistic career with exhibiting at the Victoria and Albert museum and securing the coveted Perrier-Jouët Arts Salon Prize for emerging talent within just a year of graduating from the RCA last year. His first solo show, "Inflorescence and Other Artefacts," is a display of dichotomies, constantly flipping between natural and synthetic, authentic and fake, beautiful and seductively grotesque, forcing viewers to form their own opinion about the value of the objects on display.
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The Top 5 Designers at RCA’s 2015 Graduate Show

It’s graduate show season in London, and though we’ll be featuring students from all over town in the coming weeks, we’ve found over the years that no show is quite as spectacular — or up our alley — as the Royal College of Art’s. With its esteemed alumni including the likes of Barbara Hepworth, Thomas Heatherwick, Tracey Emin, and David Hockney — not to mention some of our favorite contemporary designers, such as Max Lamb, Hunting & Narud, Soft Baroque, Fredrik Paulsen, and Hilda Hellström — Show RCA always boasts an impressive arsenal of postgraduate talent across a variety of disciplines.
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Nina Cho, Furniture Designer

“One of the most important ideas in traditional Korean architecture and art is the aesthetic of emptiness — practicing the beauty of the void,” Nina Cho explains to me over the phone from her studio in Detroit, where she recently set up camp after graduating from Cranbrook. “In painting, the unpainted portion is as important as the portion that was painted; it’s about respecting the emptiness as much as the object.” Cho should know; she was born in the States but grew up in Seoul, and as a child she would often visit traditional Korean architecture sites. But little did she know the impact those visits would have on her future career.
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Designers Interpret the Classic Tolix A Chair

We aren't quite sure how we missed this project — considering both our affinity for the classic Tolix A chair (we might own seven (!) of them ourselves) and our affection for the designers involved — but in Milan last month, the French company celebrated its 80th anniversary and in doing so invited eight design studios to reinterpret its most famous offering.
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A Tour of the 2015 Show: Part I

As anyone who's ever made an album knows, sophomore efforts are by far the toughest to pull off. And so, even though we here at Sight Unseen have been putting together a major Design Week showcase in some way or another since 2010, this year marked only our second outing as Sight Unseen OFFSITE, which debuted last year to enormous fanfare and praise.
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e7’s Zinc Project Was One of This Year’s Salone Satellite Standouts

Our last bit of Milan coverage this week comes from a brand-new design studio comprised of three ECAL grads — Giulia Chéhab from Italy, Micael Filipe from Portugal and Romain Viricel from France — whose Zinc Project caught our eye in the very last row of this year's Salone Satellite. A table and shelf series made from galvanized zinc, the project was inspired by the aesthetic irregularities that arise from the galvanization process.
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Think Big! Our First LA Pop-up, at Space 15 Twenty

If you've been following our Instagram, you know that we've been spending an awful lot of time in Los Angeles lately. Last Thursday, we finally revealed why (aside from an obvious need to escape New York's subzero temps and un-meltable snowdrifts). Our latest pop-up — and our first-ever venture in LA — opened last Thursday at Space 15 Twenty, the Los Angeles Urban Outfitters concept shop and sister store to Brooklyn's Space Ninety 8, where we hosted a similar event last fall. Called Think Big!, the pop-up is inspired by a 1980s-era Soho store of the same name, which featured scaled-up versions of everyday objects.
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Hotel Covell Is Now the Place to Stay on L.A.’s East Side

There was a time, not so long ago, when visitors to New York wouldn't dream of staying anywhere but Manhattan — that all changed, of course, as soon as Brooklyn became an international brand with Williamsburg as its capital, spawning hotels like the Wythe and the Mccarren. Airbnb's rise has also inspired adventurous travelers to fan out to all sorts of peripheral neighborhoods in big cities around the world. And so it's inevitable that a place like Los Feliz, an epicenter of Los Angeles's east-side hipster scene, recently joined the hospitality game, with the opening of the five-room Hotel Covell. Sitting above a popular wine bar of the same name, it pairs a few familiar boutique hotel tropes (thrift-store art, vintage record players) with amazing furnishings by some of our favorite local designers, including Eric Trine, Brendan Ravenhill, and Atelier de Troupe.
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Visit Us This Weekend at Capsule!

Looking for some visual inspiration this weekend? If you're a buyer, a distributor, or a member of the press, head on over to Capsule New York's new home at Pier 94, where Sight Unseen is happy to be participating this year! After years of simply attending the fashion trade show to peep new collections from friends like Ilana Kohn or Ellen van Dusen — and to scout talents from the extremely well-curated mix — we've finally partnered with the newly combined ready-to-wear and accessories show, where we'll be curating a small section of home and accessories brands. There will be ceramic French presses and copper lights from Yield Design, block-printed throws and pretty things by Caroline Z. Hurley, a new line of lower-priced mugs from Ian Anderson of Aandersson Design, geometric jewelry and tabletop goods by Sarah Loertscher, colorful candlesticks and mirrors by Good Thing, and so much more (which we're giving you a sneak peek of below). It’s all happening at Pier 94, 711 12th Ave, from Sunday, February 22–Tuesday, February 24 14, starting at 9:30AM each day. Hope to see you there!
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Oyyo, Swedish Textile Designers

Lina Zedig and Marcus Åhrén, of the Stockholm-based studio Oyyo, take a best-of-both-worlds approach to their work. If Zedig is the self-described perfectionist who obsesses over color and composition, Åhrén is the “action person, always keen to get new projects going and thinking that everything is possible.” For their first collection, which launched in 2013, they employed age-old techniques to craft flat-weave dhurries, but imbued the familiar form with unexpected geometric and architectural patterns. And while their carpets — in combinations of pastel pinks, yellows, and oranges, deep blues, greens, and black — have a cozy, at-home feel, they also reflect the restless, roving spirit in which Åhrén and Zedig, avid travelers, created them. It’s design for settling in, not settling down.
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Hallgeir Homstvedt, Designer

As we prepare to welcome the new year, let's all take a moment to reminisce about how great 2014 was. Sure, some had better years than others, but there's one thing that can't be contested — Norwegian designer Hallgeir Homstvedt had an immensely successful run, launching four products to the market and cementing relationships with companies like Muuto, Lexon, and Established & Sons. So what is it exactly that brings manufacturers knocking at his door? We've got a hunch that it's the designer’s ability to be adaptable and cooperative throughout the design process, whilst sticking to a very distinct concept, something he learned on the job during a three-year stint with design studio Norway Says. His products are tactile and interactive, smart and perfectly proportioned.
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Jonas Wagell, furniture designer

Swedish designer and architect Jonas Wagell has products in production with Scandinavian companies like Normann Copenhagen, Muuto, Menu, and Mitab, but it was only a few weeks ago — when we featured one of Wagell's lighting prototype in our Saturday post — that we began to understand the vast reserves of cute designs coming out of Wagell's Stockholm studio. Wagell's pieces are brightly colored, exhibiting a certain playfulness he's become recognized for as a designer, and he calls what he does generous minimalism — creating "simplistic objects that are easy to understand and use, but try to add something personal and expressive." Given his background in communications (he worked in that industry before heading to design school at Konstfack in the early 2000s), he's able to understand the relationship between people and the everyday objects they use. He approaches design not from an artistic perspective, which can be isolating and potentially pretentious, but from one based in functionality. Wagell wants his objects to be affectionately used, not admired from a shelf, so he uses readily available materials and steers clear of elaborate or expensive processes. In addition to the designer's firm JWDA, he also founded an in-house label named Hello Industry in 2011, and was named one of Wallpaper's 50 hottest young architects in recognition of his work with prefabs. Keep reading to learn more about why you ought to be keeping an eye firmly on this Stockholm-based studio.
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