A New Jose Dávila Exhibition in A Stunning Brutalist Church

If you've ever visited König Galerie in Berlin, which is housed in a renovated 1967 Brutalist church with a skylit concrete nave, you'll know that there are only a few places in the world to experience contemporary art in such a breathtaking setting. There are also only a few artists whose work would be quite so at home in that nave as Jose Dávila, the Mexican sculptor who trained as an architect and is known for his focus on space, balance, and proportion.
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Week of October 21, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an explosion of color in our current must-see art exhibitions, an affordable new housewares series by Philippe Malouin, and four very different takes on wooden furniture, including the table above.
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At a Paris Gallery, Furniture and Art in Colorful Conversation

We've always been fans of exhibitions that put furniture in conversation with art, but often those exhibitions are a solo affair. On view currently at Galerie Derouillon in Paris, though, is an exhibition in which an artist and a furniture designer instead riff on one another's work: Called Conversation, the exhibition features furniture made by the French designer Frédéric Pellenq and paintings and objects by artist Alexandre Benjamin Navet.
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This Dutch Artist’s Warped Archival Photos Are the Break From Reality We Need Right Now

When I first discovered the Dutch artist Koen Hauser, and his Skulptura series in particular, I viewed his work as an escape — moments of disrupted reality, primarily in the form of warps and swirls edited into photos of artworks and artifacts taken from old books and museum archives. And I liked it not only because it was weird and disorienting, but because I had rarely seen that kind of technique deployed to such beautiful effect. Yet there's actually more going on in Hauser's images.
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Kim Bartelt’s Pastel Paper “Paintings” Are the Bedrock of Her Berlin Home

When Kim Bartelt was an art student at Parsons, and then a young set designer in New York, she would often collect the colored tissue paper that comes with clothing purchases from small boutiques, or wrapped around samples when calling in pieces for a photoshoot. The papers sat for years around her apartment in a giant Paul Smith bag — first in New York, then back home in Berlin — before eventually becoming the abstract "painting" that would become the basis for a body of work she's been creating for more than half a decade.
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Week of September 9, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the latest exhibition of enigmatic work by Jonathan Muecke, several new specimens of curvy and blobby furniture, and a show of paintings by Brian Rideout whose source material is 1970s interior photography (above).
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Week of August 19, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: new hanging mobiles by two geometry-obsessed design studios, an auction for the ACLU of artworks by the likes of Sam Moyer and Zoe Latta, and a trio of 3-D rendering talents — including Oscar Piccolo, above — imagine their ideal smoking rooms.
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A New Show Takes Inspiration From the Same Idea That Drove Duchamp and the Dadaists

For Hilda Hellström’s latest exhibition at Étage Projects, opening this Friday, the Swedish-born, Copenhagen-based artist looked to a rather unusual source for inspiration: a semi-obscure literary idea known as "pataphysics," popularized by the 19th-century French poet and playwright Alfred Jarry (and once memorably referred to as "your favorite cult artist’s favorite pseudoscience" by Pitchfork). Pataphysics is a philosophy that gives credence to that which exists even beyond the metaphysical realm — in other words, the imaginary, the irrational, and the unreal.
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This Art-For-Hire Company By a London Interiors Stylist is a Genius Idea

As an interiors stylist, Laura Fulmine was constantly on the hunt for license-free art that could easily be photographed and shared — a deeply frustrating task made even harder by more stringent recent copyright laws. So she did what any reasonable person in 2019 might do: She started a company that would offer the exact thing she had always been searching for.
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Week of May 6, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Airbrushed ceramics made from analog paintings, our favorite discoveries from two French design shops, and the best of this year's Frieze New York.
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Week of April 29, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a light inspired by an iconic hat, a colorful gift shop we'd like to move into, and a donation-based Los Angeles home rental on a do-good mission.
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