08.06.22

Saturday Selects

Week of August 1, 2022

A weekly recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a new French studio founded by Fabrizio Casiraghi and Pierre Yovanovitch alums, works in stone and wood on view at Radford Gallery in London, and a new vanity set meant to encourage the commercial liberation of independent designers.
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London interior designer vintage objects
08.03.22

Sighted

In a New Gallery Space, Hollie Bowden Shows Off Her Talent for Sourcing Minimal Maximalist Vintage Objects

London-based interior designer Hollie Bowden is a self-described “minimal maximalist.” Think bare walls and airy, earth-toned environments accented and brought together with a touch of dramatic surrealism. She has a way of adding the surprising elements that wind up feeling completely necessary to any given project. After working as a stylist, florist, and set designer, Bowden launched her own studio in 2013 and has spent the past decade conceiving of dreamy domestic and retail spaces. As an extension and natural progression of her studio work, earlier this summer she opened The Gallery, an appointment-only shop located next to her Shoreditch headquarters.
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08.02.22

Interiors

Armel Soyer’s New Showroom is a Rustic French Fantasy

The showroom is laid out like a home, using the terracotta floor tiles, exposed ceiling beams, and iron handrails as a backdrop for its inaugural exhibition: Design at the Summit, which follows a theme first used by Armel Soyer in Megève three years previous. This second edition brings together a wide variety of the gallery’s clients, with furniture, artwork and sculpture spread across the different rooms as if someone with immaculate taste (and a fairly sizable budget) lives there amongst the collection.
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08.01.22

Q+A

This Brooklyn Designer is Trying to Create a Zero-Waste Studio

Coming from an art background, Nathaniel Wojtalik had no interest in creating furniture that was purely functional and offered no meaning behind it. But through Cultivation Objects, the Brooklyn studio he founded during the pandemic, Wojtalik has been able to find a way to craft intentional narratives by virtue of concept and technique to end up with designs that are beautiful and intriguing, yet still maintain a utilitarian quality.
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07.30.22

Saturday Selects

Week of July 25, 2022

A weekly recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the look for less by Eny Lee Parker, live forever in a funerary urn by BZIPPY, and a double-sided Royere door to die for, please excuse the expression.
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07.28.22

Interiors

Tour the Incredible 1930s and 40s Gio Ponti Interiors Hidden in a 13th-Century Italian University

Between 1934 and 1942, Gio Ponti decorated numerous rooms inside Palazzo Bo — home to the University of Padua, founded in the 13th century — creating one of his most important works in interior design. In fact, the 1940s were critical for Ponti's transformation from his previous styles of Novecento Italiano and Rationalism toward softer mid-century design, which became his trademark after the Second World War. Click through to tour this seminal work with Okolo's Adam Štěch.
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07.26.22

Current Obsession

This Is One 1980s Trend Revival We Didn’t See Coming

We're not sure if it's a comfort thing or a style thing, and we're not sure if it reminds anyone else of the La-Z-Boys of yore, but if you've been watching carefully the past few years, you may have noticed that furniture designers — most particularly when it comes to beds and sofas — have been embracing a very specific aesthetic with roots in the 1980s.
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07.25.22

Excerpt: Exhibition

In a Public Art Installation at Rock Center, Emily Mullin’s Floral and Ceramic Hybrids Are Suddenly Larger Than Life

In still-life ceramic and floral vitrines framed by Art Deco flourishes in the lobby of 45 Rock, in photographic murals lining the underground concourse level, and at Top of the Rock, the viewing platform where visitors can look out over Manhattan, Emily Mullin's work is suddenly available to all. It's a huge leap in visibility for the Brooklyn-based artist, who produced the photographic works on view in collaboration with her partner, Tony, as well as a throwback to the earliest moments of her New York career, when she commuted to Midtown for a job designing window displays up the street at Bergdorf Goodman.
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07.23.22

Saturday Selects

Week of July 18, 2022

A weekly recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the first furniture collection from interior designer Robert McKinley, colorful glass candlesticks by Lex Pott, and a Wright auction full of postmodern treasures.
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07.21.22

Travel

This Renovation of a Montauk Motel Retains Its Seaside Charm Even As It’s Become Eminently Instagrammable

When I heard that longtime friends of Sight Unseen Home Studios were spearheading the renovation of Daunt's Albatross, a 23-room motel in the center of town that's been in the same family since 1977, I was cautiously — but extremely — optimistic. That Home's design for the space would be beautiful was never in question — have you seen what this studio can do with tile? — but could the motel retain the quirky fishing village charm of old Montauk while still being someplace I'd want to obsessively Instagram?
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07.20.22

Sighted

Vaspaar, an Up-and-Coming Digital Design Gallery, Looks at Collecting As an Act of Preservation

For Kaisha Davierwalla and Andrea Grecucci, the Milan-based designers who run the digital gallery Vaspaar, the art of collecting amounts to more than simple acquisition. It’s not merely about possessing a beautiful material object — though Vaspaar offers plenty of those — but an act of preservation. Whether that’s preserving “something from the passing of time, or as a token of memory, a symbolic representation of an era, or the significance of an object and the emotions involved,” they explain, “we look at the act of collecting from both a deeply academic viewpoint and also from how personally we tend to get attached to these pieces.”
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