Gaetano Pesce Vases and a Cabinet That Looks Like a Japanese Capsule Hotel: Inside Melbourne’s Newest Fashion Boutique

A jewelry cabinet that looks like a scaled-down Japanese capsule hotel, with chartreuse-colored compartments fronted by metal and glass doors; a glossy deep-red lacquer applied around the edges of the ceiling; a Gaetano Pesce vase: We’re all familiar with the adage "shop ‘til you drop,” but at the Melbourne boutique Stable, designed by Studio Manifold, you might actually want to lounge for hours.
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On the Great Pine Resurgence of 2023 — AKA For Pine Nuts Who Love It Knotty

Have you been reading For Scale? It's the new furniture-focused Substack that seemingly everyone is already turned onto, and we get it — it's an absolute joy to read, with favorite topics so far including but not being limited to: plastic, children's furniture, the "twink aesthetic," and Psycho-Decorating 101 (a favorite Sight Unseen tome). So, we did what any editor with half a brain would do: We hired For Scale's excellent and very fun writer, David Michon, to pen what we hope is the first of many columns! Today's subject: a paean to PINE.
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See Inside Maniera Gallery’s New Home, a Belgian Art Deco Masterpiece

When Belgian design gallery Maniera first opened nearly a decade ago, the works were located inside the loftlike apartment of Maniera's founders, Amaryllis Jacobs and Kwinten Lavigne. The gallery has gone through many incarnations since then — including once popping up in a famed Brutalist house in Ghent — until this spring, when it moved into its new permanent digs: the Hôtel Danckaert, also known as Villa Dewin, a landmarked Art Deco building in Brussels designed in 1922 by architect Jean-Baptiste Dewin. Maniera’s first exhibition in the space, which opened last month, features 15 new designs by artists and architects, all of which were created to respond to the gallery's imposing setting. 
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This Intensely Color-Blocked London Victorian Will Make You Rethink the Possibilities of an Historic Home

When Studio Rhonda was asked to redesign a Victorian terrace house in North London for a friend, “the brief was to go crazy, a celebration of life moving forward,” notes Rhonda Drakeford, director of the studio. With a trusting client, Drakeford completely pulled it off while pushing the limits of what you can do with color. Thick stripes and blocks of saturated primary colors harmonize with earthier tones of terracotta and chalks — over 30 shades of paint, in all. Drakeford kept the period details of the residence but glossed over them, in some cases literally: ignoring moldings and architraves, the dictates of corners and where walls meet ceilings. Instead, she used color and geometric shapes to delineate the space.
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With Our New Furniture and Lighting Collection, You Can Put Sight Unseen Into Your Projects (Or Your Home)

(Re-)Launching today, shop.sightunseen.com is now an online gallery of our full furniture and lighting collection, available either for easy online check-out, or to use as a living lookbook for your projects, with our dedicated sales person ready to work with you on trade orders and customizations. Our offerings will be constantly updated as we discover and write about new design series, and will always run the gamut from simpler staples to statement pieces that can add a megadose of personality to any interior.
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Revisiting the Poetic Work of Japanese-Born, Italian-By-Choice Designer Kazuhide Takahama

If there's one chair most design enthusiasts know by Kazuhide Takahama, it’s the Tulu. You’re likely familiar with its sled base composed of slim, welded-steel rods and its square upholstered backrest that seems to be floating independently in the center of a metal frame. It’s popping up more and more — from eBay listings to frescoed palazzos in Italy — and it’s no wonder. It’s a beautiful piece — subtle, minimal, and formally innovative for the late 1960s when it was designed — but despite the Tulu’s popularity, the rest of Takahama’s work is not nearly as recognizable. But as the casual collector becomes more and more aware of his work, we’ve decided it’s high time to take a deep dive into the work of Kazuhide Takahama.
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Week of March 20, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: layered neutrals in a classic Haussmann apartment in Paris, an all-female design exhibition in New York, and the best Wright design auction we've seen in years.
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This Textured, Minimalist Jewelry Showroom Was Once a London Pub

Over the past decade — in case you missed it — minimalist interior design has drastically shifted gears. Once a cold, sterile, and frankly boring style, it’s gradually warmed up and become imbued with all sorts of textures and depth. The latest convert to this pared-back but incredibly rich style is London interior designer Hollie Bowden, who recently designed the new showroom for British jewelry and ceramics brand ​​Completedworks.
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The Moody Textures — and Glass Blocks — of This California Restaurant Set the Vibe

Los Angeles-based designer and 2023 American Design Hot List-er Jialun Xiong has a strong background in interiors, architecture, and furniture design, all of which is on full display at her latest project, the new City of Industry restaurant 19 Town. Xiong went for “lavish restraint” in this 4,200-square-foot space, divided into dining and lounge areas that are each subtly well-defined yet work together as a whole.
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Week of March 13, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: essential spring attire from Marimekko, a tonal terracotta Asian diner in Byron Bay, and a lamp that looks like a stack of giant Malteasers.
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These Mysterious Glass Assemblages, On View at Marta, Were Inspired By Modernist Buildings and Corporate Architecture

Over the years, Jonah Takagi has worked with all kinds of materials, but it's glass that has preoccupied him throughout five summer residencies in the south of France, at the International Glass and Visual Arts Research Center, or CIRVA, in Marseilles. For Takagi, the experience yielded not only an unexpected love for Marseilles but also an ever-evolving series of mesmerizing angular vessels that reference, in their shape and in their texture, the Brutalist architecture of Kenzo Tange or Le Corbusier. His latest selection, a series of dusky, painterly assemblages, is on view through April 22 at Marta gallery in Los Angeles in a solo show called "Brut Vessels."
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The New Hennepin Made x Victoria Sass Lighting Collection Wants You to Experience the Full Spectrum of Emotion

When two longstanding Minneapolis creative forces — Jackson Schwartz, head of the lighting company Hennepin Made and Victoria Sass, founder of interior design studio Prospect Refuge — team up to create a new lighting collection, you can expect the results to be thoughtful conversation starters. Not simply in the obvious way of getting your attention and eliciting a reaction, of course — though their Ontologia series does just that, with one-of-a-kind, handblown glass globes in various sculptural permutations composed of cords, metal, and mahogany spheres. But there’s a deeper form of conversation that Sass envisioned for her first foray into lighting design, and that Schwartz made a reality: a sort of ongoing dialogue, a two-way relationship between the people living with these lights and the lights themselves, which really do seem to have distinct personalities and moods.
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