The 100 Best Things We Saw at Miami Art and Design Week 2023

The last time we physically attended Design Miami, believe it or not, was in 2014. We haven't ventured back since, in part because the party scene got so out of hand that it felt, in the end, like it was starting to eclipse the experience of actually seeing design and art. So we sat out the better part of the last decade, watching and collecting materials from the sidelines instead. This month was the first time we ventured back, and what we found was a completely transformed event: the glitz and fanfare were greatly diminished, while the work, particularly on the design side, seemed stronger than ever.
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Week of December 11, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Two outstanding installations in LA — a gingerbread replica of Flamingo Estate in collaboration with Mytheresa, and a public viewing of the famed 1987 amusement park Luna Luna with installations by the likes of Keith Haring and Salvador Dalí — plus the High Tech incense burner of our dreams.
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The 2023 American Design Hot List, Part V

This week we announced our 11th annual American Design Hot List, Sight Unseen’s editorial award for the names to know now in American design. We’re devoting an entire week to interviews with this year’s honorees — get to know the last group of Hot List designers here (including Zoe Mowat, whose Isle light for Lambert & Fils is pictured above).
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The 2023 American Design Hot List, Part IV

This week we announced our 11th annual American Design Hot List, Sight Unseen’s editorial award for the names to know now in American design. We’re devoting an entire week to interviews with this year’s honorees — get to know the second group of Hot List designers here (including Frances Merrill of Reath Design, whose midcentury Altadena project is pictured above).
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The 2023 American Design Hot List, Part III

This week we announced our 11th annual American Design Hot List, Sight Unseen’s editorial award for the names to know now in American design. We’re devoting an entire week to interviews with this year’s honorees — get to know the third group of Hot List designers here (including Luke Malaney, whose wood and hand-hammered copper floor lamp is pictured above).
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Three New Collections in Metal That Get Creative With Industrial Parts

We recently noticed a fascination, shared among three up-and-coming designers from two different parts of the globe — Sebastian Kommer, Jinyeong Yeon, and Nice Workshop — with using off-the-shelf metal materials in new, more beautiful ways. The concept itself is nothing new, but it underscores just how much endless versatility can be found in industrial parts and profiles — and how they offer emerging designers access to industrial fabrication without the expensive factory tooling and MOQs.
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The 2023 American Design Hot List, Part II

This week we announced our 11th annual American Design Hot List, Sight Unseen’s editorial award for the names to know now in American design. We’re devoting an entire week to interviews with this year’s honorees — get to know the second group of Hot List designers here (including Little Wing Lee, whose graphic rug for the most recent Black Folks in Design exhibition is pictured above).
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The 2023 American Design Hot List, Part I

This week we announced our 11th annual American Design Hot List, Sight Unseen’s editorial award for the names to know now in American design. We’re devoting an entire week to interviews with this year’s honorees — get to know the first group of Hot List designers here (including Charlap Hyman & Herrero, whose baby blue Brooklyn bedroom is pictured above).
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Week of December 4, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Pierre Yovanovitch’s chic new Chelsea gallery, lamps that look like melted butter, and the work from home setup of our dreams.
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Meet (and Win!) Sunne: A Solar-Powered Lamp That Color-Shifts to Mimic the Moods of the Sun

Dutch designer Marjan van Aubel — whom we interviewed yesterday to mark the debut of her new collaboration with Lexus — is a fervent proponent of solar energy, and specifically of using design to make the technology more appealing and accessible. Today, we're offering you the chance to win her solar-powered Sunne lamp, a statement piece for the home that can, with a tap on its frame, cycle through three different vibrant color spectrums meant to evoke sunrise (pale yellow) and sunset (fiery red or purple-y pink). Head to our Instagram to enter, or if you can't wait, head to our shop to purchase one!
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Marjan van Aubel on Her Work At the Intersection of Design and Solar Energy — and Her Artful New Collab With Lexus

Marjan van Aubel calls herself a “solar designer,” and since she graduated from the RCA in 2012, she’s devoted her career to finding ways of making solar power more beautiful and accessible, using projects like solar-cell window hangings and rainbow-gradient solar roofs to inspire people to look at and use the technology in a new way. This week, she’s applying the same approach to the automotive realm, with a colorful interactive installation for Lexus in Miami that proves design can help speed us toward the future of environmentally conscious driving. We took the opportunity to sit down with van Aubel and learn more about the project, how she fell in love with solar energy, and why its future shouldn’t be dominated by men in blue suits.
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Frederik Fialin on His New Tubular Metal Collection: “We All Like to be Comfortable, But Other Things Are Often More Important to Me”

Danish designer Frederik Fialin understands the idea that you have to know the rules before you can break them. He’s certain something is working not only when it’s functional and beautiful, but when it makes him laugh. It’s a way of taking the work seriously, without taking yourself too seriously, and it may have something to do with how Fialin got started, with a classic cabinetry apprenticeship. “I didn’t particularly enjoy it at the time, but now I see why everything has to be done in a certain way. I consider this, now, to be possibly the greatest foundation of my professional life that I could ever have asked for — especially because I can use, remix, and warp this never-ending chase for perfection that dominates the environment. There’s reason in the madness.”
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