03.07.24

Sighted

A Bronze Mirror Side Table, A Stained Mahogany Dining Table: Our Favorite Finds From CB2’s New Black in Design Collection and More

There are two things happening at CB2 right now that we find endlessly exciting. The first is their ongoing collaboration with the estates of design legends like Paul McCobb and Gianfranco Frattini; that's a McCobb task chair paired with a Frattini desk above, and can we talk about this striped outdoor sofa?! The other initiative is something that we mentioned in our Q&A with Evan Jerry of Studio Anansi last summer: the Black in Design collective, which brings together, under Jerry's curation, works by 13 Black designers. This spring welcomes Niger’s Atelier Masomi, founded by Mariam Issoufou Kamara, and Nifemi Marcus-Bello’s nmbello Studio in Lagos, Nigeria, to the fold, along with a slate of new pieces from the Collective's existing studios.

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03.06.24

Fair Report

All the Exhibitions, Projects, and Artworks We Loved From This Month’s 2024 Frieze Week in Los Angeles

Last week was Frieze week in L.A., the only time of year when the city provides art and design folks with a robust events schedule full of opportunities to repeatedly mingle with old friends and new, eat lots of free food, and of course, see great work. The action centers around the Frieze Los Angeles art fair itself, which just wrapped its especially color-soaked fifth edition, but at the same time encompasses the Felix Art Fair at the Hollywood Roosevelt Hotel, the city's ever-growing roster of art and design galleries, and a host of other exhibitions and events that pop up around them.

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03.05.24

Excerpt: Exhibition

A New Exhibition Featuring Florals in Every Form — And Our New Favorite Table

India Mahdavi's Project Room is where the Iranian-born interior designer puts on freeform exhibitions four times a year, and it occupies just a single storefront below Mahdavi's studio in Paris's 7th arrondissement. Yet the space, now on its 12th curatorial outing, tends to occupy an outsized, Zeitgeist-driven share of the collective design consciousness due to the quality of its exhibitions: so far, one themed "reds and tartans" (both on the upswing, trendwise), one curated by AGO Projects (Mexico City–based gallery, pretty much universally loved), and the most recent, "Foreign Flowers," which is being presented as part of the programming for Matter and Shape, a new, compact fair in the Jardin des Tuileries, designed by Willo Perron. Foreign Flowers is curated by Matter and Shape's artistic director Dan Thawley, and it investigates the unexpected dovetailing of flowers and plants with the disciplines of furniture-making, fine art, craft, and collectible design.

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03.04.24

Excerpt: Exhibition

At Zona Maco, Agnes’s First Solo Exhibition is Bestrewn With Symbols of Luck

When the Guatemala City-based duo Agnes first burst onto the scene in 2017, they did so in a decidedly iconic fashion: Their debut collection was immediately embraced by the international design community, with splashy press clips, interesting placements, and influential commissions (AGO Projects founders Rodman Primack and Rudy Weissenberg asked the two to create a rug for their own CDMX home, which was later featured in our book, How to Live With Objects). Now AGO is spotlighting Agnes’s sophomore collection at their Mexico City–based gallery as part of the designers’ first solo exhibition, which opened during last month’s Zona Maco festivities. 

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02.29.24

Excerpt: Exhibition

This Melbourne Exhibition Signals a Return to Romanticism in Design

We've been dancing around naming it for a while — or we've been calling it other, less expansive, more niche things — but it's official: Romanticism is creeping back into design. Following a similar moment in fashion — which saw things like Alessandro Michele’s peacock-y looks for Gucci or, really, anything from Harris Reed’s eponymous line — we’ve slowly clocked the appearance of flowing skirts around simple stools and lamps, intricately patterned floral wallpapers, deep oxblood-colored furniture pieces, and dramatic gestures like tapestries hung on apartment walls — all hinting at design’s turn to embrace its romantic side. A counter to the simplified geometries and washed-out hues of the Millennial aesthetic? A reflection of society’s current highly emotive state? Whatever the reason for this shift, the recent work of trans-Pacific duo BMDO marks a significant step in that direction, and their self-professed “playful, dark, social, and emotional” work is currently on view through this weekend at Oigall Projects gallery in Melbourne.

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06.30.22

Fair Report

The Best of the 2022 Salone del Mobile — Part VI

Remember when we said that it was impossible to actually see all of the good things that launched during this month's Milan Furniture Fair? Well, apparently it's equally impossible to actually capture all of those launches in digital form, because the hits just keep coming into our inbox. So today, we're devoting an extra post to some of our favorites from a week that already seems like a lifetime ago. (Please, take us back to risotto and martinis!)

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02.27.24

Sight Unseen Collection

Punk and Playfulness Co-Exist in Nice Condo’s Monumental Furniture

Combining influences from Brutalism and Memphis with traditional wood craft, Nice Condo’s Chris Held and Sara Graham create monumental designs that — while often statement-making in some way, from the off-kilter color palette of a dining table to a cabinet with sawtooth hardware — are each intended to anchor a space and fit with a variety of interior styles. "Challenging the expectations of a client in formal ways quickly veers into sculpture, and I'm not interested in making sculpture," Held says. "I'm interested in making things people put in their homes and spill drinks on — live life on and around."

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02.24.24

Saturday Selects

Week of February 19, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: furniture that appears trapped in ice, a charming Parisian powder room, and an apartment that has us hankering to paint stripes on our wardrobes.

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02.23.24

Up and Coming

A Deft Mix of Materials Earned This Swedish Studio Sight Unseen’s Best in Show Award at Greenhouse, the Exhibition for Emerging Design at Stockholm’s Furniture Fair

Adrian Bursell and Siri Svedborg were students at Konstfack back in 2018 when they made the tables that would become the initial studies for their Burn & Turn collection, which debuted at the Stockholm Furniture Fair earlier this month, and which earned them Sight Unseen's Best in Show award at Greenhouse, the fair's up-and-coming designer showcase. At the time, they were studying the Arts & Crafts movement in a degree program for Interior Architecture and Furniture Design, and they agreed to explore a table that might reflect the movement's values — one that could be functional yet decorative, using a kind of stripped-down ornamentalism inspired by the Swedish folk tradition.

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02.21.24

Sighted

Known Work — the Furniture Spinoff of Interiors Studio Parts and Labor Design — Just Launched an Immediately Iconic Debut Collection

Perhaps it was inevitable that Parts and Labor Design, a New York interiors studio noted for its atmospheric hospitality projects — including the subterranean Negroni bar Sotto, which we featured last fall — would launch a furniture design studio. After all, some of the more memorable details from their interiors have often been custom, in-house designed fixtures, which explore the tension between kinetic material and earthly texture. Called Known Work, their furniture arm debuted its first collection, Perceptions, at Zona Maco in Mexico City last month as part of Sculpted, a joint show with artist Jorge Yazpik, curated by Materia. The collection consists of nine pieces, each as alluring as you might expect.

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02.17.24

Saturday Selects

Week of February 12, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Judd-esque wall units, a new gorgeously appointed showroom for textile company Zak + Fox, and some hits from Zona Maco (with more to come this week!)

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02.16.24

Fair Report

18 New Talents We Scouted at Greenhouse, Stockholm’s Showcase for Emerging Design

As an editor, each time I attend a design fair, I'm making snap judgements in my head: Does this designer's collection stand together as a whole? Is there a compelling narrative behind it? Does it use materials in a profound or creative way? Is it formally inventive? Is it pretty? If I had another suitcase, would I want to take a piece home with me? But before last week, I had never in my life had to choose my number one, absolute, hands-down favorite. And yet, at the Stockholm Furniture Fair's Greenhouse exhibition of emerging design, I did just that: For Sight Unseen's inaugural Best in Show award, I chose the Swedish duo Bursell/Svedborg — whose wonderful series of mixed-material pedestals we'll be diving into more in-depth next week — from a pool of 30 international design studios, who had been juried into the fair by a committee of six Stockholm-based designers. Today, though, I'm highlighting *all* of my favorite up-and-coming designers from the week.

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02.14.24

Fair Report

30 Projects We Loved at the 2024 Stockholm Furniture Fair

Perhaps no design fair makes me philosophize about the future of trade shows more than Stockholm. A small fair that has become even more compact over the past few years, as Danish brands have increasingly shifted their calendar to coincide with Copenhagen's 3 Days of Design, Stockholm tends to particularly shine in two areas that make a fair worth having in the first place: its curation — not only in booths but also in talks that one might actually care to attend — and the idea that sustainability ought to be baked in at every turn, or else what's the point of making new things?

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