A New Ceramics Collection Wants to Sand Down the Edges of Brutalism

Founded by Orion Janeczek, a graphic designer and stylist from Portland, Oregon, New Material's first collection is called Brutalism for Lovers — i.e. thick slabs made cuddly in the form of footed trays and planters, tubetop vases, and a dinnerware set that are all sorts of chunky, cute, and slightly absurd.
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In a New Series, 3D-Rendered Anthuriums Look (Unsurprisingly) Just Like the Real Thing

Appropriately called Digibana, the series finds Anders Brasch-Willumsen exploring the Japanese art of arranging flowers in a digital context, created by way of 3D-rendering software that keeps the flora alive forever. “I like to think of this series as a futuristic Ikebana practice,” Brasch-Willumsen says, “where moments of beauty are created and preserved only by a constant stream of likes and shares.”
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Six Practically Perfect Floor Lamps from the Italian Architect Behind the Prada Stores

Remember the house tour that published a few years ago in T Magazine, with its Ekstrem chairs, velvet couches, 18th-century wooden toilet, and circular bed covered in fox fur? We've pretty much been obsessed with its owner, the Italian architect Roberto Baciocchi — aka the man who designs all the Prada stores — ever since. His latest works for Nilufar Gallery, which we spotted on Instagram and are publishing here today, only serve to fan the flames: a series of six geometric floor lamps, with materials like brass, slate, iron, and velvet stacked into neat totems.
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Norwegian design brand A Part

Four Designers Just Got Together to Form a Norwegian Superbrand

Remember Temple of the Dog? The Traveling Wilburys? Cream? In music, the idea of a supergroup — in which several successful solo musicians band together to form a new group — is a familiar one. In design, it's less so — and yet that's exactly what four Norwegian designers have done with their new brand A Part, which launched earlier this week.
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These Psychedelic, Rainbow-Colored Landscape Photos Make a Subtle Political Statement

You might not think of a series of landscape photos awash in dreamy swipes of color as a necessary political statement, but Oakland-based artist Terri Loewenthal is making one: "Our current political reality includes a government unwilling to confront ecological collapse and a president who is actively deaccessioning public land," she said in an interview earlier this year. "I want my images to help preserve the wildness of our open spaces — by heightening and newly envisioning that wildness."
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Outfit Your Dream Apartment With New Furniture by Moving Mountains and Vonnegut/Kraft

We know pretty much everyone is focused on deals! deals! deals! this week, but before you descend into the Black Friday of your soul, take a moment to contemplate with us how you might decorate your home if money were no object: On view last week at Colony in New York was a capsule collection of new work by two of New York's leading design studios — Moving Mountains and Vonnegut/Kraft — and we're coveting every. single. piece.
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Wall-to-Wall Carpeting Inspired By Architectural Jewelry? Yes, You Heard That Right

It might seem odd that a 235-year-old company — specializing in wall-to-wall carpeting for hotels, airports, casinos, and cruise ships — would collaborate with a relatively unknown jewelry designer from Australia, as is the case with Brintons' recent collaboration with Studio Elke. But in fact, it makes sense that Brintons would be moved by Elke's designs, which are often inspired by things like architecture, geometry, Art Deco, terrazzo, marble, and stone — in other words, things that easily and naturally translate into two-dimensional patterns.
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Marcin Rusak Manufacture

Liquefied Metal, Applied Like Spray Paint, Creates Texture in a New Collection

The London-based, Polish-born designer Marcin Rusak first rose to prominence a few years ago exploring how natural materials — and, in many cases, live ones, like flowers and bacteria — could be harnessed and transformed into a wholly new aesthetic. Now, Rusak is developing a more industrial-based offshoot called MRM (or Marcin Rusak Manufacture), and the brand's first collection takes as its starting point a similar urge to recast commonly found natural elements as something otherworldly.
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