A Swedish Artist Known for Her Vibrant Florals and Seductive Line Drawings is a Perfect Match for Marimekko

Marimekko has long been a go-to for those seeking joyful bursts of color and pattern in their clothing and home décor, from the oft-searched 1980s-era Dan River Tulip bedding to the ever-stylish (and, frankly, ahead of its time) gender-neutral shirting of the 1953 Jokapoika. Over the last few years, the Finnish design brand has expanded that vision with its Marimekko Artist Series, a collaborative opportunity “to provide artists with a canvas — in the shape of Marimekko products — to present their work,” as Marimekko’s creative director Rebekka Bay puts it. The series makes artwork accessible to a broader public while paying homage to an era when Marimekko’s founder Armi Ratia would invite artists and other creatives to design prints, Bay adds. The theme of this year’s series, the Anatomy of a Flower, was a perfect fit for Petra Börner, a Swedish artist who lives in London. Börner’s work often nods to floral subjects and motifs, cyclical growth and constant transformation, and this beautifully translates into a capsule collection for the Finnish brand.
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Armando Cabral Turns the Cult-Famous USM Shelving Into a Collection Steeped In West African Symbolism

Getting creative with modular furniture can require a certain amount of inventiveness; there are only so many ways to organize a rigid set of components, as in the Swiss company USM’s signature Haller storage. So to produce something never before seen from such a precise framework — metal rods, ball-shaped connectors, and a system of wildly colorful milled steel panels — a designer really needs to think outside the, well, box. “Restraint sometimes allows you to think further in order to arrive at something unexpected,” says Armando Cabral, who has entwined the expressive elements of his West African heritage with strict Swiss production parameters in a new collaborative collection with USM.
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Haddou-Dufourcq’s Debut Furniture Collection Takes Cues From Both Modernist and Classical Architecture

Parisian interior design duo Kim Haddou and Florent Dufourcq, of Studio Haddou-Dufourcq, have a way of evoking the past — formally, materially — to reinvigorate it with a new energy. See: the calming elegance of their design for Hotel Lilou in Hyères, France, or the textured and layered yet airy city residences and retail spaces they’ve envisioned. They've applied that same magic to their debut furniture collection, Trama, which launched this month exclusively for Monde Singulier.
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The Debut Collection From Studio Hanrahan Melds Ancient Forms and Contemporary Aesthetics

One of the best things about Sight Unseen turning 15 this year is having an archive at our fingertips by which to chart the growth of certain artists who have captured our interest over the years. Take Ryan Hanrahan, an Australian designer whose work we first published more than a decade ago. Hanrahan has been involved in several different ventures since then, including Addition Studios, a ritual-focused wellness brand he sold at the tail end of COVID. But looking at each one — particularly in the context of Text the Sun, the first collection he's releasing under his new studio name, Studio Hanrahan — you see the obvious through lines: the geometric shapes, the love for elemental materials such as marble and metal, the melding of ancient forms and contemporary aesthetics, an abiding interest in waterjet–cut perforations. Hanrahan calls Text the Sun "a playful recalibration" of those interests, and the results are lovely.
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Bower’s Moody, Mystical Showroom — And Their New Moongate Mirrors — Channel Someplace Far From Brooklyn

When you’re in a mystical frame of mind — cue the winter solstice — mirrors really do start to feel like portals. And the Moongate series, the latest from Bower Studios, seems to offer entry into another realm. Inspired by outdoor passageways originally found in traditional Chinese gardens, these large wall mirrors  would add a sense of mystery and quiet adventure to any interior. And they do just that in Bower’s newly redone showroom, complementing and contrasting with the studio’s classic collections and transporting you somewhere far from Brooklyn.
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Interni Venosta’s Surprise Debut in a Milanese Plaster Workshop Was One of the Best Design Moments of 2024. The Collection Keeps Getting Better.

Interni Venosta wowed us when their debut collection launched earlier this year in a plaster workshop in Milan — it was one of our favorite collections from 2024 — and the collection's latest additions continue to impress. An independent project from Milan darlings Emiliano Salci and Britt Moran, who founded their architectural and design studio Dimorestudio over twenty years ago, Interni Venosta exudes an Italian — specifically Milanese — refinement that’s at once avant-garde and classic. Striking in its elegant proportions, this is furniture that stands out in an interior but also feels as if it were always at home there.
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Jermaine Gallacher Helped Pull This Celestial-Themed 1990s Textile Collection From the Archives

As a lover of all things vintage and archival, there are few things that excite me more than a project that plumbs the historical trove of a company or design movement and resurfaces its forgotten gems; it’s the same thrill I get shopping a flea market or antique mall and discovering something incredible that had previously gone unnoticed or been cast aside. Which is why I felt a pang of envy when I saw the launch earlier this month of Torch, for which TON magazine editor and interior designer Jermaine Gallacher got to help pull a collection of rugs and textiles out of a 90s time capsule and reimagine it for contemporary use. Originally titled Elements and Beyond, the celestial-themed series was the work of the seminal textile designer Christine Van Der Hurd, who celebrated 50 years in the business last year, and who spent 18 months working with Gallacher to revisit and refine her original vision.
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With New Lights and a Serene New Showroom in Downtown Manhattan, Danny Kaplan is Cementing His Studio as a Major Creative Force

Danny Kaplan's Facet series is made of slab-built forms in first-time materials for the studio: perforated brass with a patina finish, stainless steel, or white painted steel (though the studio has stayed true to its ceramic roots, hand-sculpting clay models at the start of the production process). Hard, defined edges and angles paradoxically create a mellow mood, an atmosphere that’s serene and soothing. You could say the same thing about the studio’s new 4,000 square foot showroom, located in a pre-war cast iron warehouse building in NoHo; it's a meditative, calming exhalation that both resets and reinvigorates you.
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At This Wood-Clad Seaside Retreat, Iconic Scandinavian Lights Pair Perfectly With California Modernism

The Danish company Louis Poulsen is home to some of the world's most instantly recognizable lighting, designed by the greats. While all distinctively Scandinavian — there’s a certain precision and integrity combined with a playful inventiveness that’s somehow simultaneously cool and warm — these lights also work particularly well in the context of a West Coast golden-hour glow, the interplay of sun and soft shadows. Louis Poulsen's sculptural yet clean aesthetic naturally dovetails with the indoor-outdoor architecture of California modernism — both of which have been captured in a new interiors shoot styled and photographed by Lumens.
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At the New Brooklyn Museum Café, 10 Stools by 10 Designers, Reminding Us of the Borough They Call Home

For as long as I toil in the trenches of design, I'll never tire of the design brief that goes: "Everyone please take this same basic thing and mold it in your image." The results of such an assignment are nearly always uniformly delightful, so I was happy to see the debut of this latest project, commissioned by the bicoastal studio Office of Tangible Space, run by Michael Yarinsky and Kelley Perumbuti. As part of the Brooklyn Museum’s 200th anniversary, Office of Tangible Space was asked to redesign the museum's cafe, and they called upon their Brooklyn design friends to each take a basic wooden stool, and from it, create a one-of-a-kind work of art with which to decorate the space.
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Hauvette & Madani’s Second Furniture Collection Channels 1930s Art Deco and the Strict Geometries of a Visionary Architect

When the French design duo Hauvette & Madani released their debut furniture collection in 2021, they called it Amuse-Bouche, after the small canapés served prior to a meal. Their newest collection, which launched during Paris's design week last month, has a slightly more esoteric name — following with the dining theme, they called it Entremets, dubbed for the decorative after-dinner or between-course treats popular in French cuisine — but it's a clear and logical evolution from their previous releases. Here, oak, lacquer, and Art Deco accents are the primary ingredients, resulting in a mélange of pieces with a distinctly 1930s feel. This means hard lines, essential geometries, and lots of layered materials, which have been cropping up a lot in new collections recently. Deco is seemingly the design era du jour.
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Step Into the World of a Beloved Australian Furniture Brand at Its New Space in Sydney

There’s no denying that Instagram has been a source of inspiration and connection — especially in the design world — but it’s also impossible to escape the flattening quality of the social media scroll. Australia’s Ellison Studios, whose furniture takes the best of the '70s and makes it refreshingly modern, had long been envisioning a move, or an extension, from the digital realm to a physical one, but a traditional showroom didn’t feel quite right. So when an apartment in an iconic Sydney landmark became available, an idea took shape: The Rental. For the next six months, the studio is bringing their atmospheric point of view and the imaginative world-building of a mood board to life, creating a tangible, tactile space you can step into and even inhabit for a time.
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