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11.06.20

Q+A

Alteronce Gumby’s Shatteringly Optimistic Glass and Acrylic Paintings

With society’s focus on color, and especially the ways it has historically been used to label, oppress, or divide — Black and white, red and blue — Alteronce Gumby’s glass and acrylic paintings are multifaceted, glimmering beacons that propose a more nuanced perception of hue. Using foraged clear glass which the artist paints and shatters into jigsaw puzzle-sized pieces, Gumby’s latest body of work captures a hopefulness for the future — that what is broken can be put back together, for a result perhaps even more brilliant than before.
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11.05.20

Q+A

In Bower’s New Perception-Bending Collection, Mirrors and Materials Appear to Melt Uncannily

To mark the release of their largest-ever collection of furniture and mirrors — whose wood, marble, and upholstered surfaces appear to melt over their frames — the New York studio Bower collaborated with 3-D renderer Alexis Christodolou on a series of images that capture the pieces in an escapist indoor/outdoor fantasy world. We caught up with the trio about that project and more.
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10.15.20

Q+A

A Plywood Pioneer and Champion of Eco-Modern Design Whose Work is Ripe for Rediscovery

Even though two of Peter Danko’s chair designs are in MoMA's permanent collection, many of his works were never all that commercially successful, leading him to view himself as something of an underdog. But the first time we discovered Danko's 1980 Bodyform chair on one of our early sourcing excursions, there was no question of whether to snap it up. Both it and and many of Danko's other designs are pieces of art and sculpture, and are ripe to be rediscovered by a generation that truly values those qualities.
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10.13.20

Q+A

James Evans’s Photorealistic Paintings Are a Meditation on Impermanence

The suffocated images of artist James Evans’ “Constraint Equation” series are a photorealistic depiction of what appears to be houseplants wrapped up in sheets of humid plastic that obscure and abstract them. Created during a period in quarantine, they are a fitting expression of the limitations and discomfort most of us have experienced this year. Evans, who grew up in Colorado and now splits his time between New York and Mexico City, is a prodigious new force in the art world.
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10.07.20

Q+A

Peek Into The Private Library Of Instagram’s Coolest Book Dealer

Press SF is interested in a refined but never rarefied melange of burgeoning artist’s movements and localized design, the kitschy and the iconoclastic, sourced from library sales and small secondhand bookstores with “a lot of different buyers and a lot of different viewpoints.”
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10.06.20

Q+A

DS & Durga Set Themselves Apart By Appealing to More Than Just Our Sense of Smell

"Perfume is armchair travel." This year, as we find ourselves collectively and forcibly grounded, DS & Durga’s tagline has taken on a new significance: Fragrance’s transporting ability, whether it be to carry us back in time to a familiar place or offer a portal to a destination we’ve never experienced, is more powerful and desirable than ever.
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10.05.20

Q+A

The Fantastical Fungi (And Other Subjects) of Phyllis Ma’s Supernatural Still Lifes

Photographer and animator Phyllis Ma’s work is centered around what she calls “special nothings:” ordinary objects that, in the right context, can appear “magical, surreal, or even uncanny.” Fuzzy flowers nuzzling each other, a block of aspic the exact dimensions of an iPhone, a phallic gherkin covered in warty bumps — all resplendent in hyper-stylized settings and hyper-saturated hues. Recently, Ma — who was born in China and immigrated to Brooklyn when she was eight — turned her lens on the mushroom kingdom.
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09.28.20

Q+A

China’s Most Influential Design Duo on the Country’s Future As a Cultural Powerhouse

To understand the contemporary design scene in China, learning about Neri&Hu’s work is a prerequisite. The country has experienced phenomenal social and architectural growth over the last two decades, and the pair have been a key part of the powerful creative driving force behind it, contributing numerous landmark designs inside and outside the country. I spoke with them about their current projects, and China’s place in the modern world.
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09.23.20

Q+A

A Round Table on the Ethics of Working With Artisans, and How to Respectfully Bridge Cultural and Geographic Divides

Over the last year, I've been laying the foundation for a new company that aims to connect Thailand and the U.S. through the universal languages of craft and design. I found myself thinking about how designers can foster a respectful, non-exploitive engagement when they're creating products with artisan communities rather than in factories, so I organized a roundtable discussion on the topic with three participants who have experience in bridging barriers of geography or culture: Peter Mabeo of Mabeo Furniture, Casa Wabi director Carla Sodi, and Tantuvi founder Arati Rao.
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06.23.20

Q+A

Lex Pott’s Pandemic Pastime: A New Series of Hand-Woven Checker Chairs

Just when we'd almost begun thinking of him as "the candle guy," his pillars and tapers seemingly having colonized every store in New York, Dutch designer Lex Pott posted a photo on his Instagram late last month of a single eye-catching chair wrapped entirely in hand-woven nylon straps. We did a mini interview with Pott to find out more about the project.
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Mexico City designer Alberto Oderiz
11.21.19

Q+A

The Archeology of Mexican Artist-Architect Alberto Odériz

It’s no secret that here at Sight Unseen, we have a bit of an obsession with stone and its many forms. Perhaps that’s why we’re so smitten by the work of Mexican architect and sculptor Alberto Odériz. Stone is his inspiration, his material, and his passion. From small sculptures, to full room installations, to huge plazas and other inhabitable spaces, Odériz’s work is dynamic and innovative.
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06.11.19

Q+A

Philippe Malouin on How He Created What Just Might Be Basel’s Most Unusual Collection Ever

Every year, it seems like the contemporary work exhibited at the premiere design fairs gets more intricate and labor-intensive, more whimsical and wacky, more conceptual and process-driven. At this week's Design Miami Basel show, however, Salon 94 Design is departing from that convention in an epic way, with a presentation called Industrial Office that draws on basic ideas and questions from Philippe Malouin's work on commercial office furniture, but pushed to extremes in terms of materials, engineering, and fabrication. We spoke with Malouin to find out more.
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