Home DepartmentsExcerpt: Exhibition
03.28.22

Excerpt: Exhibition

These Fashion Designers Made Their Name Reinventing the Uniform. Now They’ve Turned Their Eye to Furniture

One of the more poignant collections to come out of lockdown was on view earlier this month at Nilufar Depot in Milan. Called "Scarpette and Carolino," the exhibition — conceived by the Danish-Italian duo OLDER, aka Letizia Caramia and Morten Thuesen — featured two pieces of design dreamed up during a period of pandemic isolation spent at Caramia’s father’s studio in Pietrasanta, on the seaside edge of Tuscany. “As lockdown isolation is a lonely affair, our idea was to create a small series of friends to bring us company and warmth," say the founders.
More
Paolo Pallucco 1980s archive furniture
03.09.22

Excerpt: Exhibition

A Retrospective of 1980s Furniture Visionary Paolo Pallucco Opens in Paris

If you’ve been following the trend cycle of archive and vintage furniture over the past few years, you'll have noticed by now that the 1980s are back in a big way. We’ve recently covered a few — like Czech Modernist Bořek Šípek and Italian artist-designer Pucci de Rossi — but it seems like every month there's a new figure that's resurfaced and reevaluated in the present day. The latest is designer and manufacturer Paolo Pallucco, whose brief stint at the helm of his eponymous brand produced some of the most radical furniture of the decade — and who is now the subject of a new exhibition in Paris at Ketabi Projects.
More
03.04.22

Excerpt: Exhibition

Here Are a Few of Our Favorite Things From This Year’s Salón Cosa in CDMX

For its third edition, the burgeoning Salón COSA, Mexico’s biannual “gathering of contemporary objects,” returned to its roots in CDMX after a stint in Guadalajara last fall. On a relatively intimate scale — 22 participating artists and designers showed recent and unpublished works — Salón COSA occupied the dance floor of an old cantina nestled among the cafés, nightclubs, and shops of Calle de Motolinia, one of the oldest streets in the city. With the walls and furniture of the bar-turned-exhibition-space cloaked in a fresh coat of cerulean blue, this year’s curation reflected Salón COSA’s nocturnal setting.
More
02.07.22

Excerpt: Exhibition

At Barber Osgerby’s Galerie Kreo Exhibition, An Exploration of the Artisanal and the Industrial

Though the London-based studio Barber Osgerby first started working with Galerie Kreo more than half a decade ago, with their monolithic, shinto shrine–inspired Hakone collection of tables, last month marked their debut as a solo exhibitor. In a show called Signal, on view until April 16, the London duo finally gets to show off their impeccable color sense, which has always seemed a natural fit with Galerie Kreo's aesthetic.
More
01.10.22

Excerpt: Exhibition

Marta Gallery Rolls Out a Much-Loved Exhibition in An NYC Bathroom Near You

Co-curated by newly minted PIN-UP editor-in-chief Emmanuel Olunkwa, the latest iteration of Marta Gallery's Under/Over exhibition featured Sight Unseen favorites like Simone Bodmer-Turner, who installed a curvy knob reminiscent of her organic clay vessels over at Emma Scully Gallery; Minjae Kim, whose inky wooden assemblage you could find at Planet Earth; and Sam Stewart over at Matter gallery with a straightforward painted red roller.
More
12.16.21

Excerpt: Exhibition

Get Good Vibes Only From this Show of Grandma-Inspired Lamps and Balloon-Like Chairs

Sister-Sister, Léa Mestres's new show at the Paris gallery Scene Ouverte, is a highly photogenic pairing of two sides of the up-and-coming French designer's practice. One the one hand, there are her puffy, balloon-like chairs, benches, and tables. On the other hand, there are her colorful stucco lamps. "I see them as old ladies," she says. "They each have a names and personality. That's why I called the show 'sisters sisters' — it’s an old ladies' gang."
More
12.15.21

Excerpt: Exhibition

Sculpture or Furniture? Supaform’s New Collection Puts Feeling Before Function

In Russian designer Maxim Scherbakov's new furniture exhibition at Rome's Contemporary Cluster gallery, he asks the question: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we're not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are.
More
11.15.21

Excerpt: Exhibition

13 of Our Favorite New Design Studios From Edit Napoli

Late last month, Edit Napoli, the independent fair that brings together designers, artisans and small-scale producers, returned to the center of Naples for the third year. More than 80 exhibitors were in attendance, at both the main fair house in the 13th-century cloister Complesso San Domenico Maggiore, as well as scattered across the city; we were lucky enough to travel down to Naples for the event, so here, in no particular order, are our 13 favorite projects from the fair.
More
11.03.21

Excerpt: Exhibition

Jonathan Muecke’s New Works Are a Familiar Enigma

Jonathan Muecke doesn't seem particularly interested in siting his work on the spectrum between design, art, and architecture, so we won't do it for him either. But the interesting thing about his new works for Volume Gallery is that they're described in the exhibition materials as "unknowable" but also "open to ongoing interpretation" — which, in some paradoxical way, makes them more knowable?
More
10.20.21

Excerpt: Exhibition

A New Exhibition Defines the Next Generation of Danish Design

The purpose of Ukurant Perspectives was to showcase a new generation of designers who are pushing the conversation forward through practices that “revalue discarded materials, create innovative composites and explore the limits of craft to redefine its importance.” Seventeen mostly Denmark-based designers were featured, all of whom pursued wildly different approaches to object and furniture design.
More
10.18.21

Excerpt: Exhibition

Sean Gerstley is Playing With Scale at New York’s Tiniest New Design Gallery

When we first started writing about ceramic furniture back in 2014 — first with Chris Wolston's terracotta chairs, then on through to Eny Lee Parker, Kelsie Rudolph, Floris Wubben, Virginia Sin, BZIPPY, and more — we had no idea we would end up here: in Superhouse's new, 100 sq.ft. vitrine/gallery on the second floor of a Chinatown mall, filled to bursting with more than a dozen such works by the young designer Sean Gerstley, whose process and aesthetic we can only describe as simply thrilling.
More