Home DepartmentsExcerpt: Exhibition
03.24.25

Excerpt: Exhibition

Sung Jang Paints Imperfect Maps of His Memories at Volume Gallery in Chicago

In Shape of Land, the Chicago-based designer Sung Jang evokes locations that have personal meaning for him and abstracts them into dream places. Finding a deep resonance in cartography, Jang knows maps aren’t simply navigational tools, but more metaphorically, help us situate ourselves and understand our histories. At the city’s Volume Gallery, Jang’s show of objects and paintings — a six-panel screen and wall works of acrylic on linen, textured with inked sand — draws on his Korean heritage, with imagery that resembles continents and an imaginary topography of mountains and rivers. Jang was particularly inspired by maps from Korea’s Middle Joseon period — depictions of the world more valuable for their artistic and interpretive quality than their precision and utility.
More
03.12.25

Excerpt: Exhibition

This New Exhibition Invites Artists and Designers to Reconsider a Classic Wedding Object

I got married a few months ago, and while it was by no means a traditional affair, there were of course moments and objects we incorporated into the ceremony that held historical meaning and significance. Something we didn’t include? (Admittedly because we’d never heard of it before?) The Loving Cup, a decorative vessel historically used at wedding banquets to commemorate a union, with two handles — one for each partner — and an inscription with the date and names of the couple. This endearing symbol of love and good fortune is the subject of an exhibition at New York’s Jacqueline Sullivan Gallery, where contemporary interpretations of these vessels by an interesting selection of artists and design talents are displayed alongside a host of historic artifacts.
More
03.03.25

Excerpt: Exhibition

In a London Gallery, Grace Prince Explores the Appeal of Fragments and Fragility

How do you hold absence? How do you embody something that's missing, or give shape and weight to a fleeting phantom? The six limited-edition pieces in Grace Prince’s new furniture collection — called Held Absence and made exclusively for London's Béton Brut gallery, where it's currently on view — all explore this paradox. The themes of absence and fragility that color this collection invoke their seeming opposites, presence and strength, while also raising the question: Are they so opposite after all?
More
01.15.25

Excerpt: Exhibition

In Barcelona, a New Exhibition Showcasing 26 Up-and-Comers on the Collectible Design Scene

Vasto, a Barcelona gallery for emerging design, originally began as an online platform in 2020. But within a couple of years, founder Carmen Riestra had opened the physical space Casa Vasto, creating an immersive environment for up-and-coming artists and designers. Collectible Barcelona, curated by Riestra, showcases pieces from 26 international designers, putting them in dialogue with one another – a conversation that’s both pointed and wide-ranging in its exploration of materials and its conceptual underpinnings.
More
11.01.24

Excerpt: Exhibition

After 100 Years in Business, You Might Think You Know the Iconic Swedish Design Store Svenskt Tenn. You’d Be Wrong.

Something funny happens when you're a company that's been around for a full century. People start to assume that they already know everything there is to know about you — that they've somehow osmotically absorbed your brand tenets or your ethos by virtue of you simply sticking around. For me, the storied Swedish design brand Svenskt Tenn, which is celebrating its 100th birthday this year, was one of those companies. But then I went to Stockholm in September on the occasion of Svenskt Tenn's centenary retrospective opening at Liljevalchs Kunsthalle, running through January 12. Called Svenskt Tenn: A Philosophy of Home, it spans thirteen thematic rooms, curated by Jane Withers together with Svenskt Tenn's head curator Karin Södergren. It was there I realized that what I knew about this company hardly scratched the surface.
More
10.22.24

Excerpt: Exhibition

In a New Archival Exhibition, Maria Pergay — the Original Multi-Hyphenate — Takes Her Place Among Giants

When considering Maria Pergay, it is necessary to invoke the hyphen. But even a descriptor like designer-artist-decorator doesn’t begin to contain the whole of the late designer's experience or her legacy. Opening this week at New York’s Demisch Danant gallery, the exhibition Precious Strength: Maria Pergay Across the Decades aims to secure Pergay’s place as a design pioneer, alongside fellow female powerhouses like Charlotte Perriand and Eileen Gray.
More
10.15.24

Excerpt: Exhibition

Lukas Cober’s Crinkled-Resin Collection Was Inspired By A Beloved Children’s Book

Confession: I have never read Where the Wild Things Are. But after learning that the children’s book left such a lasting impression on Maastricht designer Lukas Cober — and influenced his most recent collection of resin-fiberglass works — I've added it to the top of my library list. Cober was so enchanted by American author and illustrator Maurice Sendak’s 1963 picture book, which follows a boy’s journey to a jungle inhabited by mischievous monsters, he decided to reconnect with his inner child and tap into a state of curiosity, naïveté, and sheer joy while crafting the body of work that’s currently on view at the Objects With Narratives gallery in Brussels.
More
10.14.24

Excerpt: Exhibition

A New Exhibition at PAD London Celebrates Marks of Imperfection and Impermanence

Marks of Existence, a new collection of collectible furniture launched this weekend at PAD London from Movimento Gallery (of London and Milan), refers to Buddhism’s three marks that characterize existence: imperfection, impermanence, and incompleteness. For the show, eight of the gallery’s designers conceived of pieces using the same material — Travertino Ascolano — to celebrate asymmetry, irregularity, and the patterns, cycles, and forces of nature that can never fully be replicated or mimicked by machines or technique.
More
09.25.24

Excerpt: Exhibition

This Norwegian Studio Devised Its Own Machinery to Make These Joyful, Rainbow-Colored Stools

We learned something new today, so perhaps you will, too: The acronym for the colors of the rainbow in Norwegian is ROGGBIF, which Oslo-based Studio Sløyd has used to title its new collection of stools, as multi-colored and joyful as you’d expect from such a moniker. Comprising 24 different playful shapes, each is designed to explore applications of a newly created dyed wood technique, which founders Herman Ødegaard, Mikkel Jøraandstad, and Tim Knutsen — who decided to work together as students during a late-night karaoke session (extremely relatable) — have been developing over the past couple of years. “Rather than starting with a shape or form, we turned our usual process on its head for this project, experimenting our way to a new material,” says the trio. 
More
06.03.24

Excerpt: Exhibition

How Do You Conceive Design That is “Correct” for Our Time? A New Exhibition Proposes Work by 10 Designers Answering the Call

Since opening in 2020, the Max Radford Gallery in London has consistently been showcasing some of the best contemporary and experimental collectible design from up-and-comers. With the Now 4 Then exhibition, ten of these designers are debuting new work at the recently opened 2000-square-foot gallery space from design store Aram. For this collaborative show, Radford was inspired by something Zeev Aram, the founder of Aram, once said regarding his enterprise, which is currently celebrating its 60th anniversary: "I decided that I will try my best to bring to the public designs which are contemporary and correct for the time.”
More
05.10.24

Excerpt: Exhibition

Bronze, Silk, Pine, Cherry: A Year Without a Kiln Forced Simone Bodmer-Turner to Reconsider Her Materials Palette

What does an artist do when they don’t have access to the tools their work requires? The ceramicist Simone Bodmer-Turner — celebrated for her abstract stoneware vessels and sculptures in shades of soft white or matte black — beautifully answers that question this month at Manhattan’s Emma Scully Gallery with her show of furniture and functional objects, A Year Without a Kiln.
More