02.28.14

Sighted

Equilibrio Frágil y Simétrico by Cristian Montesinos

For his ongoing series of miniature totems, Barcelona-based graphic and furniture designer Cristian Montesinos collects and paints scraps of found wood, which he keeps on hand for the assembly and photographing of each piece. "Biking or walking in Barcelona I always find what I need," he says. "I keep the pieces, classified by size, and use them when I need them. When I work with these woods, I feel I'm returning to them a part of the dignity that was lost when they were thrown away. When I paint them I try not to completely cover the material, as part of the idea is to show and appreciate the tangible past of the object."

02.19.14

Up and Coming

Visibility, Product Designers

Sina Sohrab was born in Tehran and raised in Detroit; Joseph Guerra is a native Los Angeleno who grew up outside Atlanta. Yet when the pair met as undergrads at RISD, their backgrounds turned out to be their most influential commonality: "There was this emphasis in both our families on earning your possessions and respecting them — it's something we really connected on," recalls Sohrab. "Joey’s dad, for example, had this idea that he wanted all of his possessions to reference an older possession he'd had at another point in his life. This timeline of objects and the idea of emotional value became really important to us." Upon graduating in 2012, the duo knew they wanted to team up; Sohrab moved to New York and took a job at Bec Brittain studio, while Guerra spent six months in Europe working for Industrial Facility and Big-Game before joining him. They're now hunkered down in Brooklyn preparing to launch their first collaborative collection during ICFF in May, under the name Visibility.

02.17.14

Fair Report

At Stockholm Design Week 2014

When Katrin Greiling offered to report on Stockholm Design Week for us this year, it felt like the holy trinity of guest fair coverage: a designer with an amazing eye, who also happened to be a talented photographer, who wasn't too occupied exhibiting her own work this year to make the rounds on our behalf. Turns out she's been busy with other projects, 700 miles away from her former home base: "After living in Sweden for 15 years, I recently made a move to Berlin to work on two interior projects," Greiling says. "Still, though, my heart is strongly connected to the aesthetics of the North, and a year without going to the furniture fair in Stockholm would be unthinkable for me. Studio Greiling didn't show any work at the 2014 fair, but we still enjoyed meeting up with all the members of our huge Nordic furniture family. Here's a glimpse at what I saw during the four days I spent in Stockholm."

02.15.14

Saturday Selects

Week of February 10, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: sculptures made from deconstructed window blinds and laminate floors, a book on vintage corporate identity design manuals, a series of fake Cuban shop windows (pictured above), and the most excitement we've ever experienced over a bar of soap.

02.10.14

Sighted

Tauba Auerbach’s Inspirations, on The T Magazine Blog

One of these days, our repeated attempts to worm our way into the New York studio of the very private, very busy, very genius artist Tauba Auerbach will succeed. But in the meantime, we were pleased to see a particularly Sight Unseen-y feature on her posted last week on T Magazine's blog, penned by our friend Ken Miller for his ongoing "Under the Influence" column. It's basically an 8 Things teasing out the people, places, and objects that are currently inspiring her work, of which Miller writes on the site: "Reminiscent of the 1960s Op Art movement, especially the British painter Bridget Riley, Auerbach’s hypnotic paintings, sculptures, books and prints reflect abstraction, Minimalism and even Pop, with a meticulous attention to craft. She creates bright, vivid color-fields through complex patterning, making sophisticated pieces that feel enticingly simple." Check out four of Auerbach's current obsessions after the jump.

02.07.14

Sighted

Slag Glas Bookends From Bazazas

Thanks to the power of e-commerce, quite a few creatives have felt inspired lately to open small, tightly curated shops featuring weird and wonderful small-batch objects by young makers (see also: Handjob Gallery Store). The newest is Bazazas, founded by the designers Scarlett Boulting of opus and Mary Voorhees Meehan. They've assembled a quirky yet sophisticated selection of objects by folks like Études Studio, ceramicist Giselle Hicks, and jewelry designer Sandra Russell, but our favorite offering is no doubt this in-house series of Slag Glas Bookends.

02.03.14

Fair Report

At Maison et Objet and IMM Cologne 2014

In January, we saw plenty of incredible things, from the Brancusi show at Paul Kasmin Gallery to the Swiss Alps to the movie Her. What we did not see, unfortunately, was a design fair — while many of our friends and colleagues were making the rounds in Paris and Cologne, we were busy with the likes of planning our 2014 New York Design Week event, beginning our site's forthcoming redesign, and talking about how much we loved Her. Lucky for us, though, we're pretty well connected, so we managed to round up a relatively comprehensive group of photos of what we missed. Behold, after the jump, the Sight Unseen armchair guide to the best new releases at Maison et Objet and IMM Cologne 2014, minus the jetlag and the convention center food.

02.01.14

Saturday Selects

Week of January 27, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a stunning geometric '70s tapestry piece, dispatches from the LA Art Book Fair, an unconventional take on a diamond ring, and a jealousy-inducing Art Deco-era necklace (pictured above) found by Caitlin Mociun at an antique fair in Miami.

01.31.14

Excerpt: Exhibition

Thaddeus Wolfe: Unsurfacing at Volume Gallery

Thaddeus Wolfe's Assemblage vases looked mysterious enough when he debuted them in 2011, first for sale with Matter and then with a special edition for Chicago's Volume Gallery — we'd never seen glass before that paired the shape and surface texture of rocks and minerals with amazing fades of opaque color. When we asked him to describe his process to us, it turned out that it was relatively easy to grasp, if not execute: He blew the vessels into faceted plaster-and-silicon molds. His newest take on the series — the Unsurfacing collection for Volume, on view as of tonight — looks even more complicated, layered with fragmented geometric patterns and contrasting colors.

01.30.14

Excerpt: Exhibition

Constantin Boym at UrbanGlass

For anyone like us who "grew up," professionally speaking, in the New York design world in the last few decades, it was always with a sense of awareness of and deference to the scene's elder statesmen. Constantin and Laurene Boym, for example, set up Boym Partners back in 1986, and by the time we started circulating in 2005, they still felt markedly omnipresent, both critically and physically speaking. We suppose that's why it felt so surprising when these New York stalwarts up and left town in 2010, after Constantin accepted a two-year tenure as director of graduate design studies at Virginia Commonwealth University in Qatar. They disappeared from New York design events, parties, exhibitions, and talks, only occasionally sending dispatches to their mailing list about life on the other side of the globe. They returned to New York a year ago, but we hadn't really heard from them until now — with the launch of Constantin's new exhibition at Brooklyn's UrbanGlass, "Learning From the East," which opens this Saturday.

01.23.14

Sighted

Sevak Zargarian, Ceramicist

Sevak Zargarian is a London-based graduate of the Central Saint Martins undergrad course in Ceramics, for which his final project was the series of Grogged Vases pictured in the first half of this post. To make them, Zargarian first creates his own "grog" — broken-up scraps of stained and fired clay normally mixed into pottery to invisibly prevent kiln shrinkage — then makes a plaster bowl mold, which he dips into a bucket of grog-filled slip in a reverse-casting process. His Grogged Jars, below, use smaller grog bits and conventional plaster molds. Zargarian focuses on process- and materials-driven experimentation based around the tactile qualities of clay, yet rather than only celebrating the hand-made element of his work, he's more interested in how he might someday apply his studio discoveries to industrial production.

01.21.14

The Making of

The Stacks Series by Clemens Kois

Not everyone would spot the potential magic in a cluster of their children's medicine bottles, or in utilitarian household items like batteries, lightbulbs, and binder clips. But before he began constructing and shooting teetering towers of such trifles, photographer Clemens Kois had plenty of practice: as a longtime flea market enthusiast and avid collector — of Carl Aübock designs, among many others — he had spent decades perceiving a heightened level of beauty and value in objects others might overlook. Each image in his ongoing Stacks series always begins with a few such things he's harvested from somewhere in his New York apartment, which he builds into a delicately balanced vertical composition, like arranging the notes in a song.