The last time Landon Metz showed at the Copenhagen art gallery Andersen's Contemporary, he created a series of stretched, amorphous canvases, each stained a deep indigo that reached seemingly past the edges of the frame, with many that wrapped around the gallery's walls or door frames. That series, he said, stemmed from an effort "to make the medium of painting more interactive and experiential, and to integrate it into the surrounding environment." His most recent exhibition for the Danish gallery, which opened late last month, takes that notion one step farther.