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05.26.21

Fair Report

A Sneak Peek at Collectible Design’s First Fully Digital Fair, Happening This Weekend in Brussels

Collectible, the long-running design fair in Brussels, was one of the last fairs to slip under the wire last year just as COVID was beginning; we remember having a phone call with our solo exhibitors, Ben & Aja Blanc, asking if they felt safe enough to go. But though the fair went off without a hitch last March, due to changing restrictions in Europe, organizers Clélie Debehault and Liv Vaisberg decided to take the fair fully digital this year, introducing a new platform called Collectible Salon, which runs online from May 28-30 and concurrently with events around town.
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Matthew Byrd Noguchi stone sculptures
05.19.21

Sighted

Using Stone That’s Destined for the Dump, Matthew Byrd Creates These Interlocking, Noguchi-Inspired Sculptures

As a sculptor and stonemason, artist Matthew Byrd spends a lot of time driving around his hometown of Raleigh, North Carolina. Much of that time is spent looking at old buildings for inspiration, noticing how one intersects with the roof of another, trying to figure out how he can translate those moments into his stacked stone sculptures. But his travels often have a more practical purpose as well — late at night, Byrd drives around scoping out abandoned lots or construction sites from which he can gather raw material that would otherwise be destined for the dump.
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05.18.21

Q+A

In Her Paintings, Becky Suss Creates Real or Imagined Interiors From Memory

Because we don't cover art as our primary discipline here at Sight Unseen, we typically discover artists a bit more slowly than we do designers, and usually by way of gallery shows, art fairs, or Instagram wormholes. But I discovered Philadelphia-born painter Becky Suss in perhaps the most Sight Unseen — or at least the most me — way possible: Her 2016 painting, August (above), adorns the cover of LA harpist Mary Lattimore's Hundreds of Days, one of the many albums that helped propel me through the emotional black hole that was 2020.
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05.04.21

Sighted

Molecular Biologist By Day, Ceramicist By Night: How Science Informs Abid Javed’s Art

The Hong Kong–born, London-based artist Abid Javed became a ceramicist almost by accident: While studying for his PhD in biochemistry, Javed began searching for a medium he could dabble in to fulfill a desire to make 3D forms inspired by molecules. "I considered glass initially, but it seemed too technical to pursue as a hobby," Javed recalls. "Ceramics felt and became more intuitive." A hobby soon became a full-blown art practice; the resulting series is called Pleomorphs.
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05.03.21

Excerpt: Exhibition

Motherhood — And the Ways In Which It Challenges Us to Create — Is At the Center of This Exhibition

The idea for Egg Collective's third "Designing Women" exhibition was born long before the pandemic struck. Back in 2018, Egg's co-founders — Hilary Petrie, Crystal Ellis, and Stephanie Beamer, along with Ellis's sister, the artist Tealia Ellis Ritter — had the idea to curate a selection of female artists and designers who also happened to be mothers, and who often worked with or chafed against the constraints of motherhood in order to create.
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04.30.21

Excerpt: Exhibition

A New Gallery Show in London Takes Wood to Unexpected Places

Maybe it's because I've been watching Ellen's Next Great Designer (which, honestly, you should be as well, it's highly entertaining and it features THREE former Sight Unseen subjects!), but an exhibition where designers riff on the range and versatility of wood feels extremely low-stakes. (Also not a knock; it's an appropriately sized brief for coming out of a year of lockdown). But that's also what makes it all the more impressive that Gallery FUMI's first exhibition of 2021, called The Beautiful Grain and featuring 11 of the gallery's artists, should be so insanely inventive.
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04.27.21

Excerpt: Exhibition

This Canadian Design Show Was Dreamed Up Before the Pandemic. So Why Is It About Mutation, Isolation, and Fear of the Unknown?

Set in an abandoned, somewhat post-apocalyptic-looking building in the middle of Montréal, FICTIONS offers visitors a surveillance-like experience, with four different camera angles offering a glimpse of the half-shrouded pieces, alongside an eerie accompanying score. Though there was no brief, many of the pieces play with ideas about mutation and perception.
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04.19.21

Excerpt: Exhibition

Stacey Rees’s Abstract Female Portraits Capture a Moment of Inner Contemplation

In her previous works, the Australian painter Stacey Rees seemed to be captivated by the strange and modern notion of the selfie. Her portraits explored the idea that people can define their self-worth by the public face they show to the world and that people can, in fact, manipulate those images for a better outcome. What comprised the inner life of those who swore by such digital machinations, she seemed to ask? In her new body of work, which was on view this month at the Sydney gallery Saint Cloche, Rees appears to sink even deeper into the stillness of contemplation.
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04.17.21

Saturday Selects

Week of April 12, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the Fabio Novembre of our generation, the future of design fairs, and the power of blue paint.
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