Architectural and Archetypal, Kalon Pieces Are Defined By Their Thoughtful Details   

Since 2007, Michaele Simmering and Johannes Pauwen have been producing work that is as poetic as it is practical through their Los Angeles studio, Kalon. The studio borrows its name from an Ancient Greek concept of ideal beauty that comprises both physical and moral aspects. It’s a high bar to set. In their practice, Simmering and Pauwen take a principled approach that seriously considers the environmental and social impact of what they do; “sustainability” has become an overused word, but for Kalon, it’s a true ethos, guiding not only their production process — in terms of the materials and labor involved ­— but also how their designs exist in the world. To celebrate Kalon joining the Sight Unseen Collection, we checked in to get a sense of what’s changed — and what hasn’t — since we last touched base.
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In Julie Richoz’s New Mirrors for Vitra, Color Theory and the Tiniest Details Work to Change the Way We See

When Julie Richoz, a Swiss-French designer in Paris, was envisioning her new Colour Frame Mirror for Vitra, she was drawn to elemental forms, inspired in part by wooden building blocks and toys, those staples of childhood. “I like the innocent gestures they refer to — the simple pleasure of playing with colors and shape,” she says. But even as her mirror references those basic objects, it also moves beyond them. There’s a fun lightness here, but there's also a high degree of sophistication, precision, and intent.
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A New Show — and a New Location — for Superhouse is Allowing Stephen Markos to Think Big

It's fitting that Paa Joe’s Celestial City is the inaugural show in Superhouse's expanded space. Not only because the Ghanaian sculptor’s work spans art and design, but because it speaks to a certain aesthetic conversation between the present and the past that Superhouse has been participating in — a contemporary revival of an early '80s aesthetic, kind of Postmodern, occasionally mixed with Warholian commercial iconography. It sparks thoughts on how we interact with brands and the commodification of just about everything, but it’s also… fun.
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In Her Debut Interior, Tabitha Organ Uses Texture To Create the Illusion of Time

In 2023, after a decade of working in the industry — most notably with that subject of eternal Sight Unseen fascination, Sella Concept — Tabitha Organ founded her own interior design studio, Tabitha Isobel. Its first residential project, a five-floor Victorian townhouse in London, predictably wows. A previous renovation left the space devoid of character, so the goal was to restore some of its former glory while speaking to the current moment and anticipating the future. The studio achieved this with a mix of vintage and new elements and a contrast throughout between hits of reflective, shiny chrome surfaces and the warmth and richness of wood.
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Week of March 11, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a bookend that reminds us of a thicc 70s-era font, a chair series inspired by Rainer Maria Rilke, and a glass collection by LA artist Austin Fields, with sinuous curves reminiscent of the human body.
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A Bronze Mirror Side Table, A Stained Mahogany Dining Table: Our Favorite Finds From CB2’s New Black in Design Collection and More

There are two things happening at CB2 right now that we find endlessly exciting. The first is their ongoing collaboration with the estates of design legends like Paul McCobb and Gianfranco Frattini; that's a McCobb task chair paired with a Frattini desk above, and can we talk about this striped outdoor sofa?! The other initiative is something that we mentioned in our Q&A with Evan Jerry of Studio Anansi last summer: the Black in Design collective, which brings together, under Jerry's curation, works by 13 Black designers. This spring welcomes Niger’s Atelier Masomi, founded by Mariam Issoufou Kamara, and Nifemi Marcus-Bello’s nmbello Studio in Lagos, Nigeria, to the fold, along with a slate of new pieces from the Collective's existing studios.
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Known Work — the Furniture Spinoff of Interiors Studio Parts and Labor Design — Just Launched an Immediately Iconic Debut Collection

Perhaps it was inevitable that Parts and Labor Design, a New York interiors studio noted for its atmospheric hospitality projects — including the subterranean Negroni bar Sotto, which we featured last fall — would launch a furniture design studio. After all, some of the more memorable details from their interiors have often been custom, in-house designed fixtures, which explore the tension between kinetic material and earthly texture. Called Known Work, their furniture arm debuted its first collection, Perceptions, at Zona Maco in Mexico City last month as part of Sculpted, a joint show with artist Jorge Yazpik, curated by Materia. The collection consists of nine pieces, each as alluring as you might expect.
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Week of February 12, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Judd-esque wall units, a new gorgeously appointed showroom for textile company Zak + Fox, and some hits from Zona Maco (with more to come this week!)
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Home Studios’ Latest Restaurant Interior, All Rounded Corners and Soft Textures, Invites You to Literally Take the Edge Off

At Theodora, a new restaurant in Fort Greene, Brooklyn’s Home Studios has perfected the cozy but airy welcoming interior. For Tomer Blechman’s (of Miss Ada and Nili) latest outing, Home Studios took their cues from Theodora’s Mediterranean-inspired menu and created a simple-looking yet highly thoughtful environment. Literally underscoring the idea that Theodora is a convivial place where you might relax and take the edge off, most of the surfaces here are rounded and curved, from the tabletops to the bar to the cutest sextet of ribbed-glass porthole windows.
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It’s Not Often That a Designer Strikes Gold With Their First Big Product, But Studio Mignone Nailed It With Their Beloved Tavolo Morbido

When Studio Mignone’s Tavolo Morbido coffee table debuted in 2019, it became something of an instant, and soon much copied, classic. Tavolo Morbido is Italian for soft table, which gets at what Isabella Wood, one half of the Australian design duo, calls the “illusionistic softness” of the piece. But the name is also a little ironic: The original version was made of solid concrete pillars. It’s a relatively simple design, but a generative one that’s led to many iterations. It perfectly embodies a kind of maximal minimalism — clean, straightforward forms that contrast with the exuberance of their materials, colors, and surfaces — which is also what makes it work in so many different style spaces.
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How Do You Make a Home Inside a Monument? Ask the Gachots, Who Just Spent Three Years Living in a Paul Rudolph Masterpiece

In 1976, the architect Paul Rudolph bought the 19th-century townhouse at 23 Beekman Place where he’d had an apartment since the early '60s. While keeping the existing building as residences, he constructed his now-landmarked, multi-level penthouse on top of it: a steel and cement work of art that is rigorous and spare in its lines yet dizzying in its scope and form. Inside, beams clad in reflective material support a light-filled space with few walls, delineated by platforms and catwalks and cantilevered, landscaped terraces with spectacular views out over FDR Drive and the East River. For Rudolph, it was a kind of creative laboratory — and it’s also not hard to imagine it as a site for glamorous, louche, late disco-era parties. But how about a family home? Enter designers John and Christine Gachot, of New York’s Gachot, known for the warm modernism they bring to their high-end interiors.
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Technology and Craft Meet in Tino Seubert’s New Aluminum and Glass Works

London-based designer Tino Seubert has a way of juxtaposing the industrial and the natural to create a coherent whole — even, or perhaps especially, as these elements clash and contrast. He’s been working in this vein, mixing traditional craftwork with technological sleekness and using unexpected combinations of materials and forms, since 2014, when we first spotted him at London's Royal College of Art, lacquering galvanized steel to brilliant effect. Different iterations have followed, as have pieces like a side table of bent rattan and brushed aluminum and his Corrugation lights, which combine ash veneer and aluminum tubes into rippling yet static sine curves. With Ferric Glass and Cosmos, his two new collections exhibited at in BAM Practice in Berlin this past November, Seubert has pushed these juxtapositions even further.
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