“Am I Just Making the Trash of the Future?” And Other Philosophical Questions With Designer Drew Abrahamson

“I always want my work to be fun, not taken too seriously, a point of conversation,” says Australian artist and designer Drew Abrahamson. And while it definitely is, it’s thoughtful, too, and even veers, in a light-hearted way, toward the kinds of philosophical questions anyone who puts anything out into the world ought to probably ask themselves: “Am I just making the trash of the future?” Abrahamson’s answer, in his recent series “We Are All Garbage,” is pretty much yes, but concedes that there’s freedom and liberation in the act of creation, especially when it isn’t so tightly tied to the constraints of marketability. 
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This Cross-Cultural Couple is Carving Out a Space for Contemplation — And Furniture Production — in San Miguel de Allende

Part of what motivates designers Giulia Zink and Mat Trumbull of OHLA Studio is a question: “How do we build within the traditions of the past as new challenges loom?” The answer for OHLA, based in San Miguel de Allende, Mexico and Los Angeles, is to balance a contemporary aesthetic with a respect for the region’s vernacular design and historic motifs, while turning to local and not-too-far-away artisans and resources to realize their projects.
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A Traveling Gallery Show in Belgium Offers a Renewed Sense of Discovery

This summer, the galleries Barbé Urbain and Atelier Ecru, located in Ghent, Belgium, have teamed up to present a temporary exhibition of collectible design and contemporary art outside of their dedicated spaces. Named to evoke a sense of discovery, the Magellan show brings together works by a host of artists and designers in the De Beir residence, an iconic early Modernist building designed by Belgian architect Huib Hoste in 1924.
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Raf Simons Kvadrat Shaker System

Raf Simons Just Dropped a 16-Piece Shaker-Inspired Accessory Collection for Kvadrat

Over the course of nine years, the ongoing collaboration between Raf Simons and Kvadrat has brought us bold textiles attuned to color, texture, and proportion. Their latest project, the Shaker System, is no exception, while also being a bit of a departure. It’s a storage and accessories collection that fuses a precise simplicity with the comfort and ease of home.
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London interior designer vintage objects

In a New Gallery Space, Hollie Bowden Shows Off Her Talent for Sourcing Minimal Maximalist Vintage Objects

London-based interior designer Hollie Bowden is a self-described “minimal maximalist.” Think bare walls and airy, earth-toned environments accented and brought together with a touch of dramatic surrealism. She has a way of adding the surprising elements that wind up feeling completely necessary to any given project. After working as a stylist, florist, and set designer, Bowden launched her own studio in 2013 and has spent the past decade conceiving of dreamy domestic and retail spaces. As an extension and natural progression of her studio work, earlier this summer she opened The Gallery, an appointment-only shop located next to her Shoreditch headquarters.
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Week of July 18, 2022

A weekly recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the first furniture collection from interior designer Robert McKinley, colorful glass candlesticks by Lex Pott, and a Wright auction full of postmodern treasures.
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Vaspaar, an Up-and-Coming Digital Design Gallery, Looks at Collecting As an Act of Preservation

For Kaisha Davierwalla and Andrea Grecucci, the Milan-based designers who run the digital gallery Vaspaar, the art of collecting amounts to more than simple acquisition. It’s not merely about possessing a beautiful material object — though Vaspaar offers plenty of those — but an act of preservation. Whether that’s preserving “something from the passing of time, or as a token of memory, a symbolic representation of an era, or the significance of an object and the emotions involved,” they explain, “we look at the act of collecting from both a deeply academic viewpoint and also from how personally we tend to get attached to these pieces.”
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Aimee McLaughlin On Starting a Ceramics Podcast (Pot-cast?) and Why Ceramics is Like Therapy

Though Aimee McLaughlin, of Objet Aimée, is drawn to the shapes, proportions, and details of antiquity, there’s nothing dusty about her ceramics. With a voracious curiosity and thoughtfulness, she re-contextualizes and refreshes classical forms: She’ll make the earthy naturalism of a speckled stoneware pot more romantic with twisted handles; render a pitcher that evokes fluted Greek columns in a satisfyingly deep, glossy green; or achieve a beautifully tonal black-on-black pattern of snake scales for the serpent-shaped arms that adorn a sinuous, double-headed vessel.
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Week of June 20, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a must-have print collab between Studiopepe and The Paper Collective, a tulip-shaped table that’s got us nostalgic for our childhoods (wait, are tulips trending??), and a few greatest hits from the this month's 3 Days of Design in Copenhagen.
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Atelier Areti Adds A Joyful Dollop of Color to Its Latest Collection of Lights

Starting from the notion that an archetypal light is composed of a base, an arm, and a source of illumination, Atelier Areti set out to transform one of these three elements in each light in their new Elements collection, playing around with geometries, angles, and inversion in a way that feels both off-kilter and perfectly balanced. Restricting themselves when it comes to shape and form, they’ve taken a lot more liberty with their palette: It’s the first time they’ve used color across every piece in a collection, juxtaposing a variety of greens, yellows, reds, and blues.
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Week of May 23, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a recap of this year's excellent but small Frieze New York, a designer whose cherry-wood pieces recall Matisse as a woodworker, and an exhibition that captures Alvar Aalto's earliest life and works.
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In a New Exhibition, a Designer in Conversation With His Artist Mother

The intimacy and complexity of family bonds are a boundless source of artistic inspiration, but New York–based designer Minjae Kim and his mother, the South Korean artist MyoungAe Lee, have taken it a step further with their a collaborative show now up at Matter Projects. When their respective work in placed conversation, the result is both intriguing and poignant.
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