By now, the large-scale mural has become something of a familiar, de rigueur decoration for tech HQs — the past few years have seen everything from Trek Matthews for Dolby Labs, to Serena Mitnik-Miller for Facebook, Ian Ross for Lyft, Camille Walala (also for Facebook) and more. But this latest might be our favorite yet: Commissioned for Dropbox's 26,000-square-foot Flatiron office in New York, the mural we're featuring today is a collaboration between New York graphic designers and former Kickstarter co-workers Aaron Robbs and Alex Proba of Studio Proba.
If you’re a dedicated Sight Unseen reader, the name Trek Matthews may ring a bell since we featured his work just a few months ago — paintings of pastel-colored shapes, intersecting and receding into the distance, that were inspired by transit stations and the directional signage of Asia. This time we’re delving a little deeper into his inspiration and process as part of our series featuring the work of four artists who were commissioned to create large-scale installations at Dolby’s new headquarters in San Francisco.
Portland-based Drew Tyndell is the creative director of his own studio, Computer Team, which specializes in 2D hand-drawn and stop-motion animations. But he’s also an accomplished artist in the more traditional sense of the word, and his most recent project is a commissioned mural for Dolby’s new headquarters in San Francisco.
The art of Atlanta's Christopher Derek Bruno — which hews mostly toward rainbow lenticular wall sculptures that change color and form depending on the vantage point of the viewer, like the piece above he recently installed in Dolby's San Francisco headquarters — has almost as much movement and dimension and physicality as his furniture.
Dazzle camouflage was a frenetic patterning applied to ships during World War I to scramble the depth perception of enemies — not exactly a motif you'd expect to see applied to the walls of a major corporate office. Yet inside the new San Francisco headquarters for Dolby, Atlanta painter and dazzle enthusiast Kevin Byrd was given carte blanche to do just that.